Владимир Набоков: Поиск по текстам произведений автора и критике. Cлово "ASSOCIATION". Классическая русская литература.

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Часть текста: this arrangement was even intended for, since only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes, to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an unsmiling landlady always prepared to have her gift (“…well, I could give you…”) turned down. Nous connmes (this is royal fun) the would-be enticements of their repetitious namesall those Sunset Motels, U-Beam Cottages, Hillcrest Courts, Pine View Courts, Mountain View Courts, Skyline Courts, Park Plaza Courts, Green Acres, Mac’s Courts. There was sometimes a special line in the write-up, such as “Children welcome, pets allowed” ( You are welcome, you are allowed). The baths were mostly tiled showers, with an endless variety of spouting mechanisms, but with one definitely...

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Часть текста: were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance...

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Часть текста: – Рифма «алея – аллея» использована в юношеском стихотворении Набокова «Ласка»: «Ласкаясь к лазури, прозрачно алея, / Стыдился, смеясь, изумительный день; / Змеей золотистой казалась аллея; / Крылом голубиным – лиловая тень», где действительно остается неясным, что именно алеет: осенние «румяные листья» или же закат (Набоков 2002: 471–472). В том же сборнике 1916 года «Стихи», где была напечатана «Ласка», есть несколько вариантов рифмы к «поцелуя»: ликуя, танцуя, ревную, а также глагольная рифма «тоскуют – целуют» (Там же: 468, 478, 481, 491). Что же касается рифмы «лип – скрип», то в ученических опытах Набокова она не встречается, но обнаруживается во многих текстах поэтов Серебряного века – Брюсова, Бунина, С. М. Соловьева, Ахматовой и др. Из них на садово-парковую эротическую лирику Годунова-Чердынцева больше всего похожи «Летний бал» Брюсова (1910) и «Тихой ночью поздний месяц...

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Часть текста: пишу по‑русски…» Из переписки В. В. Набокова и М. А. Алданова / Публ., примеч. А. Чернышова // Октябрь. 1996. № 1. С. 121–146. Переписка Владимира Набокова с М. В. Добужинским / Публ., примеч. В. Старка // Звезда. 1996. № 11. С. 92–108. Комментарий к роману А. С. Пушкина «Евгений Онегин» / Ред. В. П. Старк. СПб.: Искусство–СПб., Набоковский фонд, 1998. On Generalities. Гоголь. Человек и вещи / Публ., предисл., примеч. А. Долинина // Звезда. 1999. № 4. С. 12–22. Письма В. В. Набокова к Гессенам / Публ., вступ. заметка и примеч. В. Ю. Гессена // Звезда. 1999. № 4. С. 42–45. «Дребезжание моих ржавых русских струн…» Из переписки Владимира и Веры Набоковых и Романа Гринберга (1940–1967). Публ., предисл., коммент. Р. Янгирова // In memoriam. Исторический сборник памяти А. И. Добкина / Сост. В. Е. Аллой, Т. Б. Притыкина. СПб., Париж: Феникс – Athenaeum, 2000. С. 345–397. Друзья, бабочки и монстры. Из переписки Владимира и Веры Набоковых с Романом Гринбергом (1943–1967) / Вступ. ст., публ. и коммент. Р. Янгирова // Диаспора [Вып. ] I. Новые материалы / Отв. ред. В. Аллой. Париж, СПб.: Athenaeum–Феникс, 2001. С. 477–556. Второе добавление к «Дару» / Публ. и коммент. А. Долинина. Предисл. Б. Бойда // Звезда. 2001. № 1. С....

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Часть текста: Now that your first novel has appeared (Mashenka, 1926), it seems appropriate that, as we sail into the future, even earlier works should adhere to this elegant formula and make their quantum leap into English. Yes, my forthcoming Poems and Problems [McGraw-Hill] will offer several examples of the verse of my early youth, including "The Rain Has Flown," which was composed in the park of our country place, Vyra, in May 1917, the last spring my family was to live there. This "new" volume consists of three sections: a selection of thirty-six Russian poems, presented in the original and in translation; fourteen poems which I wrote directly in English, after 1940 and my arrival in America (all of which were published in The New Yorker), and eighteen chess problems, all but two of which were composed in recent years (the chess manuscripts of the 1940-1960 period have been mislaid and the earlier unpublished jottings are not worth printing). These Russian poems constitute no more than one percent of the mass of verse which I exuded with monstrous regularity during my youth. Do the components of ...

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Часть текста: her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri a heroic chri ! had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very genteel: she said “excuse me”...

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Часть текста: 1983). Agee, James. “The Great American Roadside.” Fortune 10 (September 1934): 53-63, 172, 174, 177. Ahuja, Nitin. “Nabokov’s Case Against Natural Selection.” Tract, 2012. http:// www.hcs.harvard.edu/tract/nabokov. html. Alden, Peter D. “H.M. C. Climbing Camp, 1953.” Harvard Mountaineering, no. 12 (May 1955). Alexander, Victoria N. “Nabokov, Teleology, and Insect Mimicry. ” Nabokov Studies 7 (2002-2003): 177-213. Alexandrov, Vladimir E. “Nabokov and Bely.” In Alexandrov. Garland Companion. Alexandrov, Vladimir E. Nabokov’s Otherworld. Princeton, N. J.: Princeton University Press, 1991. Alexandrov, Vladimir E., ed. The Garland Companion to Vladimir Nabokov. New York: Garland, 1995. Altschuler, Glenn, Kramnick, Isaac. “«Red Cornell»: Cornell in the Cold War, ” part 1. Cornell Alumni Magazine, July 2010. Amis, Martin. “Divine Levity: The Reputation of Vladimir Nabokov Is High and Growing Higher and There Is Much More Work Still to Come.” Times Literary Supplement, December 23 and 30, 2011, 3-5. Amis, Martin. “The Sublime and the Ridiculous: Nabokov’s Black Farces”. In Quennell. Vladimir Nabokov, His Life. Amis, Martin. Visiting Mrs. Nabokov and...

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Часть текста: cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship. Were you satisfied with the final product? I thought the movie was absolutely first-rate. The four main actors deserve the very highest praise. Sue Lyon bringing that breakfast tray or childishly pulling on her sweater in the car-- these are moments of unforgettable acting and directing. The killing of Quilty is a...

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Часть текста: and distinguish them from the reality of life. «Цели такого исследования состоят не в том, чтобы методами психологии анализировать литературный материал, но в том, чтобы методами филологии анализировать то психологическое явление, которое описано литературным материалом» (“The purposes of such studies are not to use the psychological methods for the literary analysis, but to use the literary methods in order to analyze the psychological phenomenon, which is described in the literary text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals...

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Часть текста: Романтические контексты Набокова Избранная библиография Избранная библиография Издания произведений В. Набокова Набоков В. В. Собр. соч. американского периода: в 5 т. СПб., 1999-2000. Набоков В. В. собр. соч. русского периода: в 5 т. сПб., 1999-2000. Набоков В. В. Комментарий к роману А. с. Пушкина «Евгений онегин». сПб., 1998. Набоков В. В. Лекции по зарубежной литературе. м., 1998. Набоков В. В. Лекции по русской литературе. м., 1996. Набоков В. В. Предисловие к английскому переводу романа «Защита Лужина» («The Defense») // В. В. Набоков: Pro et contra [Т. 1]. СПб., 1997. C. 52-55. Набоков В. В. Предисловие к английскому переводу романа «Приглашение на казнь» («Invitaion to a Beheading») // В. В. Набоков: Pro et contra [Т. 1]. СПб., 1997. C. 46-48. Набоков В. В. Рассказы. Приглашение на казнь. Роман. Эссе, интервью, рецензии. м., 1989. Nabokov V. Invitation to a Beheading. New York, 1989. Nabokov V. Strong Opinions. New York, 1973. Nabokov V. The Defense. New York, 1990. Общие работы Абрамова В. И. Мотив «невыразимого» в русской романтической...

Поиск по творчеству и критикеCлово "ASSOCIATION"

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