Владимир Набоков: Поиск по текстам произведений автора и критике. Cлово "DONALD". Классическая русская литература.

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Часть текста: New York: W.W. Norton and Co., 1979. Adkins, Lynn. “Jesse L. Nusbaum and the Painted Desert in San Diego.” Journal of San Diego History 29, no. 2 (Spring 1983). Agee, James. “The Great American Roadside.” Fortune 10 (September 1934): 53-63, 172, 174, 177. Ahuja, Nitin. “Nabokov’s Case Against Natural Selection.” Tract, 2012. http:// www.hcs.harvard.edu/tract/nabokov. html. Alden, Peter D. “H.M. C. Climbing Camp, 1953.” Harvard Mountaineering, no. 12 (May 1955). Alexander, Victoria N. “Nabokov, Teleology, and Insect Mimicry. ” Nabokov Studies 7 (2002-2003): 177-213. Alexandrov, Vladimir E. “Nabokov and Bely.” In Alexandrov. Garland Companion. Alexandrov, Vladimir E. Nabokov’s Otherworld. Princeton, N. J.: Princeton University Press, 1991. Alexandrov, Vladimir E., ed. The Garland Companion to Vladimir Nabokov. New York: Garland, 1995. Altschuler, Glenn, Kramnick, Isaac. “«Red Cornell»: Cornell in the Cold War, ” part 1. Cornell Alumni Magazine, July 2010. Amis, Martin. “Divine Levity: The Reputation of Vladimir Nabokov Is High and Growing Higher and There Is Much More Work Still to Come.” Times...

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Часть текста: Альфреду Аппелю, сентябрь 1966 // Набоков о Набокове и прочем: Интервью, рецензии, эссе. М.: Независимая Газета, 2002. С. 177–209. — Пер. М. Мейлаха и М. Дадяна. Набоков В. Интервью Олвину Тоффлеру, март 1963 // Набоков о Набокове и прочем: Интервью, рецензии, эссе. М.: Независимая Газета, 2002. С. 129–157. — Пер. Д. Федосова. Набоков В. Искусство литературы и здравый смысл // Набоков В. Лекции по зарубежной литературе. М.: Независимая Газета, 1998. С. 465–476. — Пер. Г. Дашевского. Набоков В. Комментарий к роману А. С. Пушкина «Евгений Онегин». СПб.: Искусство — СПб; Набоковский фонд, 1998. — Пер. Е. М. Видре, Г. М. Дашевского, Н. М. Жутовской и др. Набоков В. Нежить // Набоков В. Собр. соч. русского периода: В 5 т. СПб.: Симпозиум, 1999. Т. 1. С. 29–31. Набоков В. Николай Гоголь (1809–1852) // Набоков В. Лекции по русской литературе. М.: Независимая Газета, 1996. С. 29–134. — Пер. Е. Голышевой под ред. В. Голышева. Набоков В. Лекции по зарубежной литературе. М.: Независимая Газета, 1998. — Пер. И. М. Бернштейн, В. П. Голышева, Г. М. Дашевского и др. Набоков В. Лолита // Набоков В. Собр. соч. американского периода: В 5 т. СПб.: Симпозиум, 1997. Т. 2. С. 8–390. — Пер. автора. Набоков В. О хороших читателях и хороших писателях // Набоков В. Лекции по зарубежной литературе. М.: Независимая Газета, 1998. С. 23–29. — Пер. М. Мушинской. Набоков В. Память, говори // Набоков В. Собр. соч. американского периода: В 5 т. СПб.: Симпозиум, 1999. Т. 5. С. 314–594. — Реконструкция С. Ильина. Набоков В. В. Парижская поэма // Набоков В. В. Стихотворения. СПб.: Академический проект, 2002. С. 211–214. Набоков В. Пнин //...

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Часть текста: States. In New York I eagerly accepted the soft job fate offered me: it consisted mainly of thinking up and editing perfume ads. I welcomed its desultory character and pseudoliterary aspects, attending to it whenever I had nothing better to do. On the other hand, I was urged by a war-time university in New York to complete my comparative history of French literature for English-speaking students. The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of...

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Часть текста: «Лолиты», а — «В. Н.», памятник в себе, некий высший символ в традиции псевдонимов-анаграмм. Истинная жизнь миссис Набоков — или той, что вела переписку в качестве «миссис Владимир Набоков», не сразу приняв эту формулу обозначения, — начинается за створками услужливо распахнутого окна на Ист-Стейт-стрит. И началась она, как жизнь всякого американца, с освоения автомобилевождения. Вскоре после приезда в Итаку Вера проторила дорожку к Бертону Джекоби, колоритному и предприимчивому механику из гаража У. Т. Притчарда. Джекоби давал уроки по вождению, что время от времени позволяло ему отстегивать себе комиссионные при продаже машин. К середине июля Вера стала гордой обладательницей бежевого «плимута» образца 1940 года, четырехдверного седана, который, учитывая год выпуска, к моменту приобретения явно пребывал на склоне своей трудовой деятельности. За рулем она быстро освоилась: Джекоби считал ее необыкновенно способной ученицей, к тому же «неизменно учтивой и вежливой». Оценил ее открывшиеся способности не он один; в сентябре Владимир объявил друзьям, что Вера купила машину и в невиданно...

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Часть текста: age of 15. Before leaving the Tenishev school, he had privately published two books of poetry. By the time of his death in 1977, he had published 18 novels, eight books of short stories, along with seven books of poetry and nine plays. In his spare time (when he wasn't collecting, studying and writing about butterflies), Nabokov invented crosswords, translated texts as encompassing as "Alice in Wonderland," wrote academic papers and lectures, critical reviews, and nonfiction works. He also wrote a screenplay for the 1962 movie version of "Lolita," directed by Stanley Kubrick. In short, he was obsessed with words and was not intimidated by genre. He spent his working life trying to capture the perfect style and structure on the page, in the same way he netted a butterfly that fluttered in his path. Nabokov, known as VN, first gained acclaim in Berlin, writing in his native Russian language and developing a following with fellow émigrés. In 1923, shortly after his graduation from Cambridge, Nabokov was busy with work - he published four plays (including "Death" and "The Grandfather") and two books of poetry ("The Empyrean Path" and "The Cluster"). His first book, "Mary," was published in 1926. The story details a young émigré's longing for the love he left behind in Russia, the battle between what is memory and what is real, and the inevitable disappointment of facing both. The book received little initial attention. Nabokov working on "The Defense" at a hotel in Le Boulou, East Pyrenees, February 1929 That's not to say Nabokov was an unknown. He continued to write, publishing the novels "King, Queen, Knave" (1928), "The Defense" (1930), and "Glory" (1932) and the 1929 short story collection "The Return of Chorb," Nabokov developed a Russian and French reader base that recognized his budding ...

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Часть текста: were figments of my persecution mania, recurrent images based on coincidence and chance resemblance. Soyons logiques , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro desserts, fatamorganas. Jos Lizzarrabengoa, as you remember, planned to take his Carmen to the Etats Unis. I conjured up a Central American tennis competition in which Dolores Haze and various Californian schoolgirl champions would...

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Часть текста: письма В. В. Набокова Университетская поэма // Современные записки (Париж). 1927. Кн. 33. С. 223–254. Камера обскура. Берлин: Современные записки–Парабола, 1933. Приглашение на казнь. Дом Книги. Париж, 1938. Другие берега. Нью‑Йорк: Издательство имени Чехова, 1954. Лолита. New York: Phaedra Publishers, 1967. Дар (второе, испр. изд.). Анн Арбор: Ардис, 1975. Весна в Фиальте. Собр. рассказов и повестей. Т. 3. Ann Arbor: Ardis, 1978. Стихи / Предисл. Веры Набоковой. Ann Arbor: Ardis, 1979. Переписка с сестрой. Ann Arbor: Ardis, 1985. «Как редко теперь пишу по‑русски…» Из переписки В. В. Набокова и М. А. Алданова / Публ., примеч. А. Чернышова // Октябрь. 1996. № 1. С. 121–146. Переписка Владимира Набокова с М. В. Добужинским / Публ., примеч. В. Старка // Звезда. 1996. № 11. С. 92–108. Комментарий к роману А. С. Пушкина «Евгений Онегин» / Ред. В. П. Старк. СПб.: Искусство–СПб., Набоковский фонд, 1998. On Generalities. Гоголь. Человек и вещи / Публ., предисл., примеч. А. Долинина // Звезда. 1999. № 4. С. 12–22. Письма В. В. Набокова к Гессенам / Публ., вступ. заметка и примеч. В. Ю. Гессена // Звезда. 1999. № 4. С. 42–45. «Дребезжание моих ржавых русских струн…» Из переписки Владимира и Веры Набоковых и Романа Гринберга (1940–1967). Публ., предисл., коммент. Р. Янгирова // In memoriam. Исторический сборник памяти А. И. Добкина / Сост. В. Е. Аллой, Т. Б. Притыкина. СПб., Париж: Феникс – Athenaeum, 2000. С. 345–397. Друзья, бабочки и монстры. Из переписки Владимира и Веры Набоковых с Романом Гринбергом (1943–1967) / Вступ. ст., публ. и коммент. Р. Янгирова // Диаспора [Вып. ] I. Новые материалы / Отв. ред. В....

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Часть текста: Vladimirovich Nabokov is known as one of the century's great writers, particularly as the author of "Lolita." But he had many more dimensions, and in the end of his life he became the Eccentric Writer, one who avoided publicity at all costs (even declining election to the National Institute of Arts and Letters), preferring a quiet life engaging in creation and Lepidoptera. Born on, or about, April 23, 1899 in St. Petersburg, Russia, Nabokov's childhood was spent in storybook fashion. The oldest of five children , he grew up in a wealthy and aristocratic family, shuttling between the family's two homes (one in St. Petersburg , and the other - an estate - 50 miles south in the countryside). He enjoyed playing tennis and soccer, but spent hours at a time embroiled in his passion - chasing and collecting butterflies, a hobby he apparently learned from his father . At the time, Russia was under the rule of Tsar Nicholas II, and Nabokov's father, Vladimir Dmitrievich Nabokov , was a respected (and to authorities, controversial) liberal politician. In fact, the elder Nabokov was imprisoned for 90 days in...

Поиск по творчеству и критикеCлово "DONALD"

Поиск по творчеству и критике
Cлово "DONALD"