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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part One. Chapters 28 - 33
Входимость: 6. Размер: 42кб.
2. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 4. Размер: 59кб.
3. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 3. Размер: 53кб.
4. Lolita. Part Two. Chapters 9 - 16
Входимость: 3. Размер: 59кб.
5. Articles about butterflies
Входимость: 3. Размер: 35кб.
6. Lolita. Part One. Chapters 18 - 22
Входимость: 2. Размер: 53кб.
7. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 2. Размер: 9кб.
8. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
9. The wings of desire
Входимость: 2. Размер: 8кб.
10. Lolita. Part Two. Chapters 1 - 2
Входимость: 1. Размер: 49кб.
11. Sartre's first try (Review)
Входимость: 1. Размер: 5кб.
12. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
Входимость: 1. Размер: 9кб.
13. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 1. Размер: 20кб.
14. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 1. Размер: 63кб.
15. "Знаете, что такое быть знаменитым писателем…?" (из интервью 1950-х – 1970-х годов)
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16. Интервью Набокова на английском языке. Vogue, 1972 г.
Входимость: 1. Размер: 17кб.
17. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 1. Размер: 24кб.
18. Nabokov's butterflies, dispersed
Входимость: 1. Размер: 7кб.
19. The female of lycaeides sublivens nab
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20. Lolita. Part One. Chapters 1 - 8
Входимость: 1. Размер: 53кб.
21. L. C. Higcins and N. D. Riley
Входимость: 1. Размер: 9кб.
22. Lolita. Part Two. Chapters 22 - 26
Входимость: 1. Размер: 57кб.
23. Lolita. Part One. Chapters 23 - 27
Входимость: 1. Размер: 59кб.
24. Здесь говорят по-русски (перевод С. Сакуна)
Входимость: 1. Размер: 43кб.
25. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
Входимость: 1. Размер: 81кб.
26. Интервью Набокова на английском языке. The New York Times, 1971 г.
Входимость: 1. Размер: 7кб.
27. Audubon's butterflies, moths and other studies
Входимость: 1. Размер: 4кб.
28. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
Входимость: 1. Размер: 15кб.
29. Интервью Набокова на английском языке. BBC-2, 1969 г.
Входимость: 1. Размер: 22кб.
30. Lolita. Part Two. Chapters 17 - 21
Входимость: 1. Размер: 52кб.

Примерный текст на первых найденных страницах

1. Lolita. Part One. Chapters 28 - 33
Входимость: 6. Размер: 42кб.
Часть текста: time. So this was le grand moment.   I had left my Lolita still sitting on the edge of the abysmal bed, drowsily raising her foot, fumbling at the shoelaces and showing as she did so the nether side of her thigh up to the crotch of her pantiesshe had always been singularly absentminded, or shameless, or both, in matters of legshow. This, then, was the hermetic vision of her which I had locked inafter satisfying myself that the door carried no inside bolt. The key, with its numbered dangler of carved wood, became forthwith the weighty sesame to a rapturous and formidable future. It was mine, it was part of my hot hairy fist. In a few minutessay, twenty, say half-an-hour, sicher its sicher   as my uncle Gustave used to sayI would let myself into that “342” and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office,...
2. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 4. Размер: 59кб.
Часть текста: might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the...
3. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 3. Размер: 53кб.
Часть текста: typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a...
4. Lolita. Part Two. Chapters 9 - 16
Входимость: 3. Размер: 59кб.
Часть текста: girlfriends, whom I looked forward to meet, proved on the whole disappointing. There was Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black...
5. Articles about butterflies
Входимость: 3. Размер: 35кб.
Часть текста: Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the shadow of the cliffs and trees onto good hunting grounds. Everything would be cold and gloomy half an hour later. At around 10 a. m. there would come the daily electric storm, in several installments, accompanied by the most irritatingly close lightning I have ever encountered anywhere in the Rockies, not excepting Longs Peak, which is saying a good deal, and followed by cloudy and rainy weather through the rest of the day. After 10 days of this, and despite diligent subsequent exploration, only one sparse colony of sublivens was...
6. Lolita. Part One. Chapters 18 - 22
Входимость: 2. Размер: 53кб.
Часть текста: in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very genteel: she said “excuse me” whenever a slight burp interrupted her flowing speech, called an envelope and ahnvelope, and when talking to her lady-friends referred to me as Mr. Humbert. I thought it would please her if I entered the community trailing some glamour after me. On the day of our wedding a little ...
7. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 2. Размер: 9кб.
Часть текста: at all when composing my stuff except to compose it. I work hard, I work long, on a body of words until it grants me complete possession and pleasure. If the reader has to work in his turn-- so much the better. Art is difficult. Easy art is what you see at modern exhibitions of things and doodles. In your prefaces you constantly mock Freud, the Viennese witchdoctor. Why should I tolerate a perfect stranger at the bedside of my mind? I may have aired this before but I'd like to repeat that I detest not one but four doctors: Dr. Freud, Dr. Zhivago, Dr. Schweitzer, and Dr. Castro. Of course, the first takes the fig, as the fellows say in the dissecting-room. I've no intention to dream the drab middle-class dreams of an Austrian crank with a shabby umbrella. I also suggest that the Freudian faith leads to dangerous ethical consequences, such as when a filthy murderer with the brain of a tapeworm is given a lighter sentence because his mother spanked him too much or too little-- it works both ways. The Freudian racket looks to me as much of a farce as the jumbo thingurn of polished wood with a polished hole in the middle which doesn't represent anything except the gaping face of the Philistine who is told it is a great sculpture produced by the greatest living caveman. The novel on which you are working is, I believe, about 'time'? How do you see 'time'? My new novel (now 800 typed pages long) is a family chronicle, mostly set in a dream America. Of its five parts one is built around my notion of time. I've drawn my scalpel through spacetime, space being the tumor, which I assign to the slops. While not having much physics, I...
8. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
Часть текста: of Lolita’s script causing me almost to collapse as I leant against an adjacent urn, almost my own. Whenever that happenedwhenever her lovely, childish scrawl was horribly transformed into the dull hand of one of my few correspondentsI used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset ...
9. The wings of desire
Входимость: 2. Размер: 8кб.
Часть текста: informed his literature in Nabokov's Butterflies Nabokov's Butterflies: unpublished and uncollected writings by Vladimir Nabokov; edited by Brian Boyd and Robert Michael Pyle (Allen Lane, £25) "From the age of seven, everything I felt in connection with a rectangle of framed sunlight was dominated by a single passion," wrote Vladimir Nabokov. "If my first glance of the morning was for the sun, my first thought was for the butterflies it would engender." It was an unusual way to view the world, and one that not many readers - even those who adore Nabokov - may have fully appreciated. In fact, the ferocity of Nabokov's obsession with butterflies has only just been made clear to general readers with the publication of Nabokov's Butterflies, a fascinating volume of unpublished and uncorrected writings on the subject, edited by the Russian author's tireless biographer and critic Brian Boyd, with Robert Michael Pyle, an expert in butterflies. All translations are, as usual, by Nabokov's son Dmitri, who has lavished time and unusual talent on his father's work over several decades. More than 700 densely printed pages on this subject may strike even the most sympathetic reader as overkill. Does anybody really want to read page after page of Nabokov's highly technical descriptions of various...
10. Lolita. Part Two. Chapters 1 - 2
Входимость: 1. Размер: 49кб.
Часть текста: incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an...