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    А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
    0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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    1. Lolita. Part One. Chapters 23 - 27
    Входимость: 3. Размер: 59кб.
    2. Эссе о драматургии ("Playwriting", на английском языке)
    Входимость: 2. Размер: 59кб.
    3. Lolita. Part Two. Chapters 22 - 26
    Входимость: 2. Размер: 57кб.
    4. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
    Входимость: 1. Размер: 10кб.
    5. Комментарий к роману "Евгений Онегин". Глава первая. Эпиграф, пункты I - V
    Входимость: 1. Размер: 64кб.
    6. L. C. Higcins and N. D. Riley
    Входимость: 1. Размер: 9кб.
    7. Наринс Дж. В.: "Лолита", нарративная структура и предисловие Джона Рея
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    8. Articles about butterflies
    Входимость: 1. Размер: 35кб.
    9. Lolita. Part Two. Chapters 17 - 21
    Входимость: 1. Размер: 52кб.
    10. Lolita. Part One. Chapters 1 - 8
    Входимость: 1. Размер: 53кб.
    11. Lolita. Part One. Chapters 12 - 17
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    12. Полюс
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    13. Комментарий к роману "Евгений Онегин". Глава восьмая. Пункты V - XIV
    Входимость: 1. Размер: 57кб.
    14. Лекции о драме. Набоков Дмитрий: Набоков и театр
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    15. Lolita. Part Two. Chapters 27 - 31
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    16. Интервью Набокова на английском языке. BBC Television, 1962 г.
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    17. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
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    18. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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    19. Lolita. Foreword
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    Примерный текст на первых найденных страницах

    1. Lolita. Part One. Chapters 23 - 27
    Входимость: 3. Размер: 59кб.
    Часть текста: shining in the sun, its doors open like wings, its front wheels deep in evergreen shrubbery. To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old father, whom the nurse had just watered on the green bank where he laya banked banker so to...
    2. Эссе о драматургии ("Playwriting", на английском языке)
    Входимость: 2. Размер: 59кб.
    Часть текста: urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed to grow obsolescent. He might have commented that the quest for originality for its own sake has led to ludicrous excesses and things have taken their helter-skelter course in random theatre as they have in random music and in random painting. Yet Nabokov's own plays demonstrate that it is possible to respect the rules of drama and still be original, just as one can write original poetry without neglecting the basic requirements of prosody, or play brilliant tennis, to paraphrase T. S. Eliot, without taking down the net. There were those who...
    3. Lolita. Part Two. Chapters 22 - 26
    Входимость: 2. Размер: 57кб.
    Часть текста: those identical detectives in prismatically changing cars were figments of my persecution mania, recurrent images based on coincidence and chance resemblance. Soyons   logiques  , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro desserts, fatamorganas. Jos Lizzarrabengoa, as you remember, planned to take his Carmen to the Etats Unis.   I conjured up a...
    4. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
    Входимость: 1. Размер: 10кб.
    Часть текста: for a private citizen but p?nibles , as the French say, for an exiled king. My attempts to stoop, and to scrape, and my hastily concocted disguise (Zemblan-born French scholar)--tweedy jacket with worn leather patches on the elbows, hand-carved pipe stuffed with lavender-scented tobacco--were apparently unsuccessful in completely masking the sheen of royalty I was accustomed to exuding. Yes, they found the jewels, but that is a tale for another time. I was met at the station by an envoy, if that's not too grand a word, from the university, whom I did not immediately recognize despite the rectangle of cardstock he held chest-high with my adopted moniker carefully lettered on it. He was so young I looked right past him, toward an elderly gentleman in a dark uniform who corresponded to the mental image of natty chauffeur I had formed during the crossing. When I accosted him with a question and a questioning expression, he shook his head and stared past me, as if I weren't there. I gathered from his stony rebuff that I was only one in a series of persons to have mistaken him for their driver. Looking around, I spotted the person I had previously missed, and marveled at my having missed not only my new name, prominently displayed, but at my having failed to notice and acknowledge such an attractive youth. The blond lock covering his forehead almost obscured his electric blue eyes. He wore a very long, very shaggy overcoat of sorts, unbuttoned, and a crisp light blue oxford shirt, the tails of which were tucked into incongruously soiled dungarees. Grease from the machine shop? Dirt from a good-natured game of Fuss in the yard? I introduced myself by pointing mutely at the sign, then at my own breast. "Doctor Kinbot?" he asked, uncertain. I smiled. " Kinbote ," good sir, "the o is long, like das Boot in German, or, or the French ?ter ." He apologized as I clasped his hand, which was warm and wet (from ...
    5. Комментарий к роману "Евгений Онегин". Глава первая. Эпиграф, пункты I - V
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    Часть текста: пушкинское примеч. 42 и мой коммент. к гл. 7, XXXIV, 1 о Мак-Еве); и наконец, уже в Москве доверенным лицом автора приходит на выручку Татьяне, когда та отбывает скучнейшую светскую повинность (см. коммент. к гл. 7, XLIX, 10). Стихотворение «Первый снег» (1816–1819, опубликовано в 1822 [100] ) написано шестистопным ямбом и состоит из 105 стихов со свободной схемой рифмовки. Пусть приветствует весну «баловень» юга, где «тень душистее, красноречивей воды», я — «сын пасмурных небес» севера, «обыклый к свисту вьюг», и я «приветствую… первый снег» — вот суть начала. Далее следует описание нагой осени, а затем — волшебства зимы: «лазурью… горят небес вершины… блестящей скатертью подернулись долины… темный изумруд посыпав серебром, на мрачной сосне… синим зеркалом… пруд окован». Эти образы, лишь четче очерченные, у Пушкина повторяются в 1826 г. ( ЕО , гл. 5,I) и особенно в 1829 г. (стихотворение «Зимнее утро», написанное четырехстопным ямбом). Первая треть произведения Вяземского позади. Далее следует...
    6. L. C. Higcins and N. D. Riley
    Входимость: 1. Размер: 9кб.
    Часть текста: N. D. RILEY Field Guide to the Butterflies of Britain and Europe In my early boyhood, almost sixty-five years ago, I would quiver with helpless rage when Hofmann in his then famous Die Gross-Schmetterlinge Europas failed to figure the rarity he described in the text. No such frustration awaits the young reader of the marvelous guide to the Palaearctic butterflies west of the Russian frontier now produced by-Lionel C. Higgins, author of important papers on Lep-idoptera, and Norman D. Riley, keeper of insects at the British Museum. The exclusion of Russia is (alas) a practical necessity. Non-utilitarian science does not thrive in that sad and cagey country; the mild foreign gentleman eager to collect in the steppes will soon catch his net in a tangle of barbed wire, and to work out the distribution of Evers-mann's Orange Tip or the Edda Ringlet would have proved much harder than mapping the moon. The little maps that the Field Guide does supply for the fauna it covers seem seldom to err. I note that the range of the Twin-spot Fritillary and that of the Idas Blue are incorrectly marked, and I think Nogell's Hairstreak, which reaches Romania from the east, should have been included. Among minor shortcomings is the somewhat curt way in which British butterflies are treated (surely the Norfolk race of the Swallowtail, which is so different from the Swedish, should have received more attention). I would say that alder, rather than spruce, characterizes the habitat of Wolfens-berger's and Thor's Fritillaries. I regret that the dreadful nickname "Admiral" is used instead of the old "Admirable." The new...
    7. Наринс Дж. В.: "Лолита", нарративная структура и предисловие Джона Рея
    Входимость: 1. Размер: 42кб.
    Часть текста: статье я покажу, что два текста, из которых состоит роман «Лолита», написаны одним неназванным вымышленным автором. Тексты эти, конечно, — предисловие Джона Рэя и текст Гумберта Гумберта. Наличие классического приема «расслоения» [1] подчеркивает нарратологическую сложность романа. Сам Гумберт Гумберт принадлежит двум различным повествовательным уровням — он и post-factum рассказчик, и персонаж, чьи действия и различные внутренние состояния являются предметом того же повествования. [2] Ряд текстов — дневник Гумберта, письмо Шарлотты, письмо Моны Даль, стишки Гумберта, письмо Лолиты, а в некотором смысле и книга Вивиан Даркблум [3] «My Cue», [4] и т. д. — вставлены в гумбертовское повествование. Одних этих элементов достаточно, чтобы не осталось сомнения в необходимости различить каждый отдельный голос в нарративной структуре произведения, а также определить то, в каких отношениях между собой находятся все его действующие лица. Неожиданна тенденция в исследованиях, посвященных текстам Набокова,...
    8. Articles about butterflies
    Входимость: 1. Размер: 35кб.
    Часть текста: Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking ...
    9. Lolita. Part Two. Chapters 17 - 21
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    Часть текста: too flat for holding my bulky chessmen, but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s glass lake. Farlow, with whom I had roamed those remote woods, was an admirable marksman, and with his. 38 actually managed to hit a hummingbird, though I must say not much of it could be retrieved for proofonly a little iridescent fluff. A burley ex-policeman called Krestovski, who in the twenties had shot and killed two escaped convicts, joined us and bagged a tiny woodpeckercompletely out of season, incidentally. Between those two sportsmen I of...
    10. Lolita. Part One. Chapters 1 - 8
    Входимость: 1. Размер: 53кб.
    Часть текста: feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak...