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1. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
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2. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
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3. Lolita. Part Two. Chapters 27 - 31
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4. Галинская И.Л.: Владимир Набоков - современные прочтения. Введение
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5. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография
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1. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
Входимость: 1. Размер: 8кб.
Часть текста: works. He also wrote a screenplay for the 1962 movie version of "Lolita," directed by Stanley Kubrick. In short, he was obsessed with words and was not intimidated by genre. He spent his working life trying to capture the perfect style and structure on the page, in the same way he netted a butterfly that fluttered in his path. Nabokov, known as VN, first gained acclaim in Berlin, writing in his native Russian language and developing a following with fellow émigrés. In 1923, shortly after his graduation from Cambridge, Nabokov was busy with work - he published four plays (including "Death" and "The Grandfather") and two books of poetry ("The Empyrean Path" and "The Cluster"). His first book, "Mary," was published in 1926. The story details a young émigré's longing for the love he left behind in Russia, the battle between what is memory and what is real, and the inevitable disappointment of facing...
2. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
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Часть текста: says Galya Diment, Professor of Russian at University of Washington (CNN) - Scholars say Vladimir Nabokov will go down as one of the greatest original writers ever. He is the man who penned the most controversial novel of the 20th century, a book that has been termed both "the only convincing love story of our century" and "pornography," and still causes controversy 50 years after its release. But he also created a startling breadth of quality work that supports, matches and even surpasses the heights of talent he reached with the novel "Lolita." "He will be increasingly appreciated," says Jeff Edmunds, editor of Zembla, the Web site dedicated to Nabokov and his work. "He crosses national boundaries... he's not considered a modernist, or post-modernist... He's simply Nabokov." D. Barton Johnson, Professor Emeritus at University of California - Santa Barbara and former president of the International Vladimir Nabokov Society, agrees. "There can, I think, be no question that Nabokov is and will remain a prominent figure in the 20th Century canon - at least in American and Russian literature," Johnson says. "Nabokov is one of the rare figures who, at the end of the century, enjoys both a wide popular readership and is firmly entrenched in academe." Nabokov writing at his lectern, Montreux, 1966 Galya Diment, Professor of Russian at University of Washington and the author of "Pniniad: Vladimir Nabokov and Marc Szeftel," says Nabokov's legacy is often split into ...
3. Lolita. Part Two. Chapters 27 - 31
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Часть текста: which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of reality, a promise not only to be simulated seductively but also to be nobly heldall this, chance denied mechance and a change to smaller characters on the pale beloved writer’s part. My fancy was both Proustianized and Procrusteanized; for that particular morning, late in September 1952, as I had come down to grope for my mail, the dapper and bilious janitor with whom I was on execrable terms started to complain that a man who had seen Rita home recently had been “sick like a dog” on the front steps. In the...
4. Галинская И.Л.: Владимир Набоков - современные прочтения. Введение
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Часть текста: Набоков - современные прочтения Введение Владимир Набоков: современные прочтения Александру Пиперскому ВВЕДЕНИЕ Владимир Владимирович Набоков (1899-1977) оставил своим русскоязычным и англоязычным читателям огромное творческое наследие. Романы «Машенька», «Король, дама, валет», «Защита Лужина», «Соглядатай», «Подвиг», «Камера обскура», «Отчаяние», «Приглашение на казнь», «Дар» были написаны на русском языке в 20-е – 30-е гг. (при датировке произведений Набокова далее указываются либо годы написания, либо годы первоиздания). На английском языке Набоков создал романы «Истинная жизнь Себастьяна Найта», «Под знаком незаконнорожденных», «Лолита», «Пнин», «Бледный огонь», «Ада, или Страсть», «Прозрачные предметы», «Посмотри на арлекинов!» Роман “Laughter in the Dark” («Смех во тьме») – авторский перевод «Камеры обскуры». Пьесы «Смерть», «Полюс», «Дедушка», «Скитальцы», «Событие», «Изобретение Вальса» и «Человек из СССР» (20-30-е гг.) являются плодом русскоязычного творчества Набокова. Рассказы «Возвращение Чорба», «Письмо в Россию», «Весна в Фиальте», «Хват», «Тяжелый...
5. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография
Входимость: 1. Размер: 43кб.
Часть текста: 1934): 53-63, 172, 174, 177. Ahuja, Nitin. “Nabokov’s Case Against Natural Selection.” Tract, 2012. http:// www.hcs.harvard.edu/tract/nabokov. html. Alden, Peter D. “H.M. C. Climbing Camp, 1953.” Harvard Mountaineering, no. 12 (May 1955). Alexander, Victoria N. “Nabokov, Teleology, and Insect Mimicry. ” Nabokov Studies 7 (2002-2003): 177-213. Alexandrov, Vladimir E. “Nabokov and Bely.” In Alexandrov. Garland Companion. Alexandrov, Vladimir E. Nabokov’s Otherworld. Princeton, N. J.: Princeton University Press, 1991. Alexandrov, Vladimir E., ed. The Garland Companion to Vladimir Nabokov. New York: Garland, 1995. Altschuler, Glenn, Kramnick, Isaac. “«Red Cornell»: Cornell in the Cold War, ” part 1. Cornell Alumni Magazine, July 2010. Amis, Martin. “Divine Levity: The Reputation of Vladimir Nabokov Is High and Growing Higher and There Is Much More Work Still to Come.” Times Literary Supplement, December 23 and 30, 2011, 3-5. Amis, Martin. “The Sublime and the Ridiculous: Nabokov’s Black Farces”. In Quennell. Vladimir Nabokov, His Life. Amis, Martin. Visiting Mrs. Nabokov and Other Excursions. New York: Vintage International, 1995. Appel, Alfred, Jr. “The Road to Lolita, or the Americanization of an Emigre.” Journal of Modern Literature 4 (1974): 3-31. Appel, Alfred, Jr. Nabokov’s Dark Cinema . New York: Oxford University Press, 1974. Appel, Alfred, Jr., ed. The Annotated Lolita. New York: McGraw-Hill, 1970. Appel, Alfred, Jr., Newman, Charles, eds. Nabokov: Criticism, Reminiscences, Translations, and Tributes. London: ...