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1. Lolita. Part One. Chapters 1 - 8
Входимость: 1. Размер: 53кб.
2. A Guide to Nabokov's Butterflies and Moths 2001 by Dieter E. Zimmer
Входимость: 1. Размер: 4кб.
3. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 1. Размер: 59кб.
4. Lolita. Part Two. Chapters 22 - 26
Входимость: 1. Размер: 57кб.
5. Lolita. Part One. Chapters 18 - 22
Входимость: 1. Размер: 53кб.
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
Входимость: 1. Размер: 54кб.
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 1. Размер: 54кб.

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1. Lolita. Part One. Chapters 1 - 8
Входимость: 1. Размер: 53кб.
Часть текста: sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about...
2. A Guide to Nabokov's Butterflies and Moths 2001 by Dieter E. Zimmer
Входимость: 1. Размер: 4кб.
Часть текста: A Guide to Nabokov's Butterflies and Moths 2001 by Dieter E. Zimmer A Guide to Nabokov's Butterflies and Moths 2001 by Dieter E. Zimmer *This is not a commercial publication. There are no author's royalties and no publisher's share. Nobody is going to make a penny from this book. It is privately published by the author and made available in a limited number of copies. The amount quoted covers at most 75 % of the cost of printing, binding and shipping. Sorry no discount of any kind can be given. The book can be ordered from the author or through booksellers. A German bookseller specialized in serving university libraries abroad is Otto Harrassowitz in Wiesbaden. If ordering from the author, payment within Europe by bank transfer to giro account free of charges to the recipient; payment from the U. S. and Canada by personal cheque drawn on an American bank. Normal mode of shipment is Economy Mail (which is not surface mail as one might suppose but air mail too; however, it may take longer than Global Premium Mail). For Global Premium shipment overseas (that is the fastest kind of air mail), a surcharge of 20 US $ will apply (rate valid as of July 1, 2001). Please do not mail me any cheque before you receive the invoice which will explain to whom it should be made payable. (If made payable to me, I would have to pay bank commissions exceeding the amount of the cheque.) Orders by e-mail or mail to the author and publisher. mail@d-e-zimmer.de Dieter E. Zimmer, Claudiusstrasse 6, D-10557 Berlin, Germany TABLE OF CONTENTS Introduction (7) Why? What For? (9) - Writer and Scientist (11) - Butterflies, Not Symbols (14) - Numbers and Names (16) - What's in a Name (17) - Basic Subdivisions (18) - Clustering Animals into Taxa (20) - The Higher Taxa (24)- Sources of Incertainty (26) - The Code (28) - The Author's Name (32) - Popular Names (34) On Pronunciation (35) - The World Divided (36) - Advice to Translators (36) - The Species Concept (37) - Nabokov and Mimicry (46) Nabokov on Butterflies (61) Catalogue Sections (67) Format - Title Abbreviations (69) 1 Butterflies and Moths Named by and for Nabokov (73) 1.1 Genera, Species and Subspecies Named by Nabokov (73) 1.2.1 Butterflies and Moths Named for Nabokov (82) 1.2.2 Butterflies with "Nabokovian" Names (85) 1.3 Common Names (94) 2 Lepidoptera in Nabokov's Published English Writings (95) 2.1 Butterflies and Moths, in Alphabetical Order (95) 2.2 Butterflies and Moths, by Work and Page (287) 3 Scientists Related to Nabokov's Work and Writings (335) 4 Nabokov's Non-Fictional Writings on Lepidoptera (367) 4.1 Nabokov's Lepidopterological Writings, Summarized (367) 4.2 Uncollected Interviews with Mention of Lepidoptera (372) Bibliography (376) Species List (383) Acknowledgments (393) Figures (395)
3. Эссе о драматургии ("Playwriting", на английском языке)
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Часть текста: form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to emulate the mise-en-sce´ne of party congresses; and the term "happening" has already managed ...
4. Lolita. Part Two. Chapters 22 - 26
Входимость: 1. Размер: 57кб.
Часть текста: part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro desserts, fatamorganas. Jos Lizzarrabengoa, as you remember, planned to take his Carmen to the Etats Unis.   I conjured up a Central American tennis competition in which Dolores Haze and various Californian schoolgirl champions would dazzlingly participate. Good-will tours on that smiling level eliminate the distinction between passport and sport. Why did I hope we would be happy abroad? A change of environment ...
5. Lolita. Part One. Chapters 18 - 22
Входимость: 1. Размер: 53кб.
Часть текста: “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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Часть текста: trot.   Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am sure of it,   when he depicts in flaming verses   secret promenades in sleigh; 12  but I have no intention of contending   either with him at present or with you,   singer of the young Finnish Maid! 28 IV   Tatiana (being Russian   at heart, herself not knowing why)   loved, in all its cold beauty,   4  a Russian winter:   rime in the sun upon a frosty day,   and sleighs, and, at late dawn,   the radiance of the rosy snows,   8  and gloam of Twelfthtide eves.   Those evenings in the ancient fashion   were celebrated in their house:   the servant...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 1. Размер: 54кб.
Часть текста: the same;   try gravely to convince one   4  of what all have been long convinced;   to hear the same objections,   annihilate the prejudices   which never had and hasn't   8  a little girl of thirteen years!   Who will not grow weary of threats,   entreaties, vows, feigned fear,   notes running to six pages, 12  betrayals, gossiping, rings, tears,   surveillances of aunts, of mothers,   and the onerous friendship of husbands! IX   Exactly thus my Eugene thought.   In his first youth   he had been victim of tempestuous errings   4  and of unbridled passions.   Spoiled by a habitude of life,   with one thing for a while   enchanted, disenchanted with another,   8  irked slowly by desire,   irked, too, by volatile success,   hearkening in the hubbub and the hush   to the eternal mutter of his soul, 12  smothering yawns with laughter:   this was the way he killed eight years,   having lost life's best bloom. X   With belles no longer did he fall in love,   but dangled after them just anyhow;   when they refused, he solaced in a twinkle;   4  when they betrayed, was glad to rest.   He sought them without rapture,   while he left them without regret,   hardly remembering their love and spite.   8  Exactly thus does an indifferent guest   drive up for evening whist: ...