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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 3. Размер: 34кб.
2. Forget Lolita - let's hear it for lepidoptery...
Входимость: 1. Размер: 6кб.
3. Ада, или Радости страсти. Семейная хроника. (Примечания)
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4. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 1. Размер: 11кб.
5. Lolita. Part Two. Chapters 3 - 8
Входимость: 1. Размер: 54кб.
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
Входимость: 1. Размер: 51кб.
7. Ада, или Радости страсти. Семейная хроника. (Часть 1, глава 25)
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8. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
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1. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 3. Размер: 34кб.
Часть текста: Exordium Might it not become us, brothers, to begin in the diction of yore the stern tale of the campaign of Igor, Igor son of Svyatoslav? Let us, however, begin this song in keeping with the happenings of these times and not with the contriving of Boyan. For he, vatic Boyan if he wished to make a laud for one, ranged in thought [like the nightingale] over the tree; like the gray wolf across land; like the smoky eagle up to the clouds. For as he recalled, said he, the feuds of initial times, "He set ten falcons upon a flock of swans, and the one first overtaken, sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings,   which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind...
2. Forget Lolita - let's hear it for lepidoptery...
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Часть текста: having world eminence in another expertise would be A. E. Housman, who emended corrupt classical texts with the same analytical exquisiteness that Nabokov used to revise the classification of butterflies, according to the details of their dissected genitals. Classical philology is hardly a more popular or accessible pursuit than lepidoptery, but the volume (edited by Christopher Ricks), which includes passages from Housman's technical writings as well as the poems, is an outstanding success. The advantages of that book over this one were that it was wieldy, that it never left the domain of culture and that it showed a side of the writer absent from his verse. The slyly fatalistic persona of the poet made a fascinating contrast with the professor of Latin, who was a doughty if not brutal scrapper, and never split a hair in argument if there was a chance of splitting the person to whom it was attached. When Nabokov wrote in 1947 that his scientific papers 'have no interest whatever for the layman', he was expressing pride as much as melancholy. Any reader would enjoy the passage reprinted here from his novel, The Gift, about the living arrangements of those large blues which have 'concluded a barbaric pact' with ants: 'I saw how an ant, greedily tickling a hind segment of that caterpillar's sluglike little body, forced it to excrete a drop ...
3. Ада, или Радости страсти. Семейная хроника. (Примечания)
Входимость: 1. Размер: 1кб.
4. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 1. Размер: 11кб.
Часть текста: periodicals in other countries had been taking with material I had supplied. When he arrived on June 15, I gave him my written answers accompanied by the following note. When preparing interviews I invariably write out my replies (and sometimes additional questions) taking great care to make them as concise as possible. My replies represent unpublished material, should be printed verbatim and in toto, and copyrighted in my name. Answers may be rearranged in whatever order the interviewer car the editor wishes: for example, they may be split, with insertion of the questioner's comments or bits of descriptive matter (but none of the latter material may be ascribed to me). Unprepared remarks, quips, etc., may come from me during the actual colloquy but may nut be published without my approval. The article will be shown to me before publication so as to avoid factual errors {e. g., in names, dates, etc.). Mr. Oakes' article appeared in The Sunday Times on June 22, 1969. As a distinguished entomologist and novelist do you find that your two main preoccupations condition, restrict, or refine your view of the world? What world? Whose world? If we mean the average world of the average newspaper reader in Liverpool, Livorno, or Vilno, then we are dealing in trivial generalities. If, on the other hand, an artist invents his own world, as I think I do, then how can he be said to influence his own understanding of what he has created himself? As soon as we start defining such terms as "the writer," "the world," "the novel," and so on, we slip into a solipsismal abyss where general ideas dissolve. As to butterflies-- well, my taxonomic papers on lepidoptera were published mainly in the nineteen forties, and can be ...
5. Lolita. Part Two. Chapters 3 - 8
Входимость: 1. Размер: 54кб.
Часть текста: she surveyed it with a shrug of amused distaste; and it seemed to me now that she was ready to turn away from it with something akin to plain repulsion. Never did she vibrate under my touch, and a strident “what d’you think you are doing?” was all I got for my pains. To the wonderland I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
Входимость: 1. Размер: 51кб.
Часть текста: from the winds by a hill, stood   above a river; in the distance,   8  before it, freaked and flowered, lay   meadows and golden grainfields;   one could glimpse hamlets here and there;   herds roamed the meadows; 12  and its dense coverts spread   a huge neglected garden, the retreat   of pensive dryads. II   The venerable castle   was built as castles should be built:   excellent strong and comfortable   4  in the taste of sensible ancientry.   Tall chambers everywhere,   hangings of damask in the drawing room,   portraits of grandsires on the walls,   8  and stoves with varicolored tiles.   All this today is obsolete,   I really don't know why;   and anyway it was a matter 12  of very little moment to my friend,   since he yawned equally amidst   modish and olden halls. III   He settled in that chamber where the rural   old-timer had for forty years or so   squabbled with his housekeeper,   4  looked through the window, and squashed flies.   It all was plain: a floor of oak,...
7. Ада, или Радости страсти. Семейная хроника. (Часть 1, глава 25)
Входимость: 1. Размер: 1кб.
8. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
Входимость: 1. Размер: 39кб.
Часть текста: лишь прислужник искусства» («Лолита»), Отношение к Офелии в «Пнине» походит на злословие, намеренное извращение ее истории, этакую генитальную мышеловку, искаженную транспозицию шекспировского текста. Повествователь и его «источник», Джек Кокерелл, подобным же образом глумятся над Пниным. Однако содержание набоковского романа отнюдь не исчерпывается аналогией между Пниным и неким его прототипом из Шекспира. Нет, этот текст идет дальше: он доказывает, что перверсия — фундаментальный элемент искусства. Чтобы добраться до ядра перверсии в «Пнине», нужно покинуть филологическую раздевалку и обратиться… к белке. Центральная роль этого животного в романе не требует доказательств: белка появляется там неоднократно и в ключевые моменты. Этимологически слово «squirrel» (белка), как мы узнаем из открытки, отправленной Пниным Виктору, означает «shadow tail» («тенехвостая»); благодаря очевидной игре слов — tail / tale (хвост / рассказ) — этот зверек становится образом романа в целом, с его призрачными, как тени,...