Поиск по творчеству и критике
Cлово "WRITING"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Поиск  
1. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 13. Размер: 53кб.
2. Review by Brian Boyd, Robert Michael Pyle
Входимость: 9. Размер: 13кб.
3. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 7. Размер: 29кб.
4. The wings of desire
Входимость: 7. Размер: 8кб.
5. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 6. Размер: 20кб.
6. Nabokov's Butterflies: Unpublished and Uncollected Writings
Входимость: 6. Размер: 8кб.
7. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 5. Размер: 63кб.
8. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 5. Размер: 24кб.
9. Lolita. Part One. Chapters 18 - 22
Входимость: 5. Размер: 53кб.
10. Интервью Набокова на английском языке. Anonymous, 1962 г.
Входимость: 5. Размер: 10кб.
11. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
Входимость: 5. Размер: 7кб.
12. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
Входимость: 5. Размер: 15кб.
13. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография
Входимость: 4. Размер: 43кб.
14. A Guide to Nabokov's Butterflies and Moths 2001 by Dieter E. Zimmer
Входимость: 4. Размер: 4кб.
15. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 4. Размер: 20кб.
16. Интервью Набокова на английском языке. Life, 1964 г.
Входимость: 3. Размер: 10кб.
17. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
Входимость: 3. Размер: 4кб.
18. Inspiration
Входимость: 3. Размер: 14кб.
19. Интервью Набокова на английском языке. The New York Times, 1969 г.
Входимость: 3. Размер: 7кб.
20. Интервью Набокова на английском языке. BBC-2, 1969 г.
Входимость: 3. Размер: 22кб.
21. Nabokov: from lepidopterology to "Lolita"
Входимость: 3. Размер: 5кб.
22. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 3. Размер: 21кб.
23. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 2. Размер: 11кб.
24. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
Входимость: 2. Размер: 53кб.
25. Sartre's first try (Review)
Входимость: 2. Размер: 5кб.
26. Nabokov's butterflies, dispersed
Входимость: 2. Размер: 7кб.
27. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
Входимость: 2. Размер: 17кб.
28. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. «Дар» за чертой страницы
Входимость: 2. Размер: 124кб.
29. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Man
Входимость: 2. Размер: 8кб.
30. Брайан Бойд. Владимир Набоков: американские годы. Библиография
Входимость: 2. Размер: 82кб.
31. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
Входимость: 2. Размер: 8кб.
32. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Литература
Входимость: 2. Размер: 113кб.
33. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. Литература
Входимость: 2. Размер: 32кб.
34. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 2. Размер: 59кб.
35. Lolita. Part Two. Chapters 27 - 31
Входимость: 2. Размер: 46кб.
36. Forget Lolita - let's hear it for lepidoptery...
Входимость: 2. Размер: 6кб.
37. Lolita. Part Two. Chapters 3 - 8
Входимость: 1. Размер: 54кб.
38. Жаккар Жан-Филипп: От Набокова к Пушкину. Заключение. Даниил Хармс, вечный современник, или "Постоянство веселья и грязи"
Входимость: 1. Размер: 28кб.
39. Давыдов С. С.: "Тексты-матрёшки" Владимира Набокова. Глава третья. Гностическая исповедь в романе ("Приглашение на казнь"). 1. Метафизика
Входимость: 1. Размер: 73кб.
40. Lolita. Part One. Chapters 1 - 8
Входимость: 1. Размер: 53кб.
41. Безродный М.: Супруги Комаровы. Заметка на полях "Пнина"
Входимость: 1. Размер: 13кб.
42. Lolita. Part Two. Chapters 32 - 36
Входимость: 1. Размер: 58кб.
43. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
Входимость: 1. Размер: 18кб.
44. Гришакова М.: О визуальной поэтике В. Набокова
Входимость: 1. Размер: 81кб.
45. Мельников Н.: Портрет без сходства (ознакомительный фрагмент). 1960-е годы
Входимость: 1. Размер: 112кб.
46. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть I. Набоков — man of letters
Входимость: 1. Размер: 128кб.
47. Ада, или Эротиада (перевод О. М. Кириченко). Мельников Николай: Роман-протей Владимира Набокова
Входимость: 1. Размер: 19кб.
48. Интервью Набокова на английском языке. The New York Times, 1971 г.
Входимость: 1. Размер: 7кб.
49. Комментарий к роману "Евгений Онегин". Предваряющие тексты
Входимость: 1. Размер: 55кб.
50. Бабиков А. А.: Прочтение Набокова. Изыскания и материалы. Владимир Набоков. По поводу «Убедительного доказательства»
Входимость: 1. Размер: 51кб.

Примерный текст на первых найденных страницах

1. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 13. Размер: 53кб.
Часть текста: for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship. Were you satisfied with the final product? I thought the movie was absolutely first-rate. The four main actors deserve ...
2. Review by Brian Boyd, Robert Michael Pyle
Входимость: 9. Размер: 13кб.
Часть текста: continues to inspire almost 25 years after his death. Apart from entomologists and Nabokov fans, it is difficult to imagine that many readers will last the enormous distance." - Simon Caterson, The Age "While few readers will want to study the scientific articles reprinted here, their presence in this striking miscellany operates in subtle ways to remind us that Nabokov (who referred to himself as VN), was also a student "of that other VN, Visible Nature"." - Jay Parini, The Guardian "Nabokovian humour shines through these writings, illustrated by a note he penned to Hugh Hefner pointing out how the carefully positioned wings and eyespot of a butterfly can be made to look like the Playboy bunny motif." - Steve Connor, The Independent "This book glistens like a rainforest: swarming with sap and colour, with love and death." - Robert Winder, New Statesman " Nabokov's Butterflies is a book trying to be many books (.....) The thematic anthology has its charms, but they are rather modest ones. (...) And it's hard to see what we gain from the frequent short flashes of administrative communciation from the letters." - Michael Wood, The New York Review of Books "Even Nabokov, however, might tire of a collection noting every time a moth flits by a lamp in Nabokov's writings. (...) Presumably, the prosaic poems bear the bruises of translation from the Russian by Nabokov's son, Dmitri. With few exceptions, the excerpts from longer fiction falter out of context; Nabokov's butterflies were meant to flutter by fully conceived fictional worlds. Nabokov's Butterflies juxtaposes science and art, but cannot integrate them." - Laurie Adlerstein, The New York Times Book Review "The editors find a harmony in Nabokov between artist and scientist - and it would be nice if there were traces of that virtue in...
3. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 7. Размер: 29кб.
Часть текста: morning. Let me ask forty-odd questions. Good morning. I am ready. Your sense of the immorality of the relationship between Humbert Humbert and Lolita is very strong. In Hollywood and New York, however, relationships are frequent between men of forty and girls very little older than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or simply that your history is unique? I do not recall that article; but if a critic makes such a statement, it must surely mean that he has explored the feelings of literally millions of...
4. The wings of desire
Входимость: 7. Размер: 8кб.
Часть текста: only just been made clear to general readers with the publication of Nabokov's Butterflies, a fascinating volume of unpublished and uncorrected writings on the subject, edited by the Russian author's tireless biographer and critic Brian Boyd, with Robert Michael Pyle, an expert in butterflies. All translations are, as usual, by Nabokov's son Dmitri, who has lavished time and unusual talent on his father's work over several decades. More than 700 densely printed pages on this subject may strike even the most sympathetic reader as overkill. Does anybody really want to read page after page of Nabokov's highly technical descriptions of various butterflies? Are these writings "important" to anyone, even lepidopterists? Is there any connection between Nabokov's passion for "lepping" and his fiction? I suspect "no" is the correct answer to all but the final question, which one must answer resoundingly in the affirmative. In his shrewd introduction Boyd teases out the connections between the writer and the lepidopterist. One comes to understand Vladimir Nabokov as novelist more completely and precisely by understanding that science gave this...
5. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 6. Размер: 20кб.
Часть текста: up the row of circles, so to speak, as in a game of crosses and naughts. No-bow-cough. How ugly, how wrong. Every author whose name is fairly often mentioned in periodicals develops a bird-watcher's or caterpillar-picker's knack when scanning an article. But in my case I always get caught by the word "nobody" when capitalized at the beginning of a sentence. As to pronunciation, Frenchmen of course say Nabokoff, with the accent on the last syllable. Englishmen say Nabokov, accent on the first, and Italians say Nabokov, accent in the middle, as Russians also do. Na- bo -kov. A heavy open "o" as in "Knickerbocker". My New England ear is not offended by the long elegant middle "o" of Nabokov as delivered in American academies. The awful "Na-bah-kov" is a despicable gutterism. Well, you can make your choice now. Incidentallv, the first name is pronounced Vladeemer-- rhyming with "redeemer"-- not Vladimir rhyming with Faddimere (a place in England, I think). How about the name of your extraordinary creature. Professor P-N-I-N? The "p" is sounded, that's all. But since the "p" is mute in English words starting w-ith "pn", one is prone to insert a supporting "uh" sound-- "Puh-- nin"-- which is wrong. To get the "pn" right, try the combination "Up North", or still better "Up, Nina!", leaving out the initial "u". Pnorth, Pnina, Pmn. Can you do that? . . . That's fine. You 're responsible for brilliant summaries of the lives and works of Pushkin and Gogol. How would you summarize your own? It is not so easy to summarize something which is not quite finished yet. However, as I've pointed...
6. Nabokov's Butterflies: Unpublished and Uncollected Writings
Входимость: 6. Размер: 8кб.
Часть текста: Nabokov's Butterflies: Unpublished and Uncollected Writings Editorial Reviews from Amazon © From Publishers Weekly Admirers of the great novelist Vladimir Nabokov (1899-1977) know that collecting and classifying butterflies was for him not so much a hobby as an obsession, especially during the 1940s, when he worked for Harvard's Museum of Comparative Zoology and made important discoveries about the American genera known as Blues. Butterfly-linked images and ideas pervade some of his fiction, and butterfly-collecting expeditions took up much of his free time. Nabokov biographer Boyd and butterfly expert Pyle team up to offer a gigantic compendium of butterfly-relevant Nabokoviana. Reprinted here are draft reminiscences later revised for the autobiography Speak, Memory; the 1920 technical paper "A Few Notes on Crimean Lepidoptera"; selected parts of the later scientific and technical work; numerous poems with butterfly-related lines, some in English, some translated from Russian;...
7. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 5. Размер: 63кб.
Часть текста: is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American....
8. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 5. Размер: 24кб.
Часть текста: Bolt From a specially-bound set of Nabokov's early Russian poems, inscribed by Nabokov for his wife Vera. Image from Vera's Butterflies (NY: Glenn Horowitz Bookseller, 1999). Courtesy the Estate of Vladimir Nabokov. A commentator from a distant southern land that begins with Z composes an outlandish elucidation of another man's masterpiece. His startling, perhaps outrageous claims upset certain entrenched academic specialists, and he must flee (a world tour, a centenary), and undergo the ordeals of exile before coming to rest, in some almost successful disguise—as a professor of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his ...
9. Lolita. Part One. Chapters 18 - 22
Входимость: 5. Размер: 53кб.
Часть текста: in Our Great Little Town for hardly two years, and the latter for hardly a month; when Monsieur wants to get the whole damned thing over with as quickly as possible, and Madame gives in with a tolerant smile; then, my reader, the wedding is generally a “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her...
10. Интервью Набокова на английском языке. Anonymous, 1962 г.
Входимость: 5. Размер: 10кб.
Часть текста: Lolita. On the day of our arrival three or four journalists interviewed me at the St. Rйgis hotel. I have a little cluster of names jotted down in my pocket diary but am not sure which, if any, refers to that group. The questions and answers were typed from my notes immediately after the interview. Interviewers do not find you a particularly stimulating person. Why is that so? I pride myself on being a person with no public appeal. I have never been drunk in my life. I never use schoolboy words of four letters. I have never worked in an office or in a coal mine. I have never belonged to any club or group. No creed or school has had any influence on me whatsoever. Nothing bores me more than political novels and the literature of social intent. Still there must be things that move you-- likes and dislikes. My loathings are simple: stupidity, oppression, crime, cruelty, soft music. My pleasures are the most intense known to man: writing and butterfly hunting. You write everything in longhand, don't you? Yes. I cannot type. Would you agree to show us a sample of your rough drafts? I'm afraid I must refuse. Only ambitious nonentities and hearty mediocrities exhibit their rough drafts. It is like passing around samples of one's sputum. Do you read many new novels? Why do you laugh? I laugh because well-meaning publishers keep sending me-- with "hope-you-will-like-it-as-much-as-we-do" letters - only one kind of fiction: novels truffled with obscenities, fancy words, and would-be weird incidents. They seem to be all by one and the same writer-- who is not even the shadow of my shadow. What is your opinion of the so-called "anti-novel" in France? I am not interested in groups, movements, schools of writing and so forth. I am interested only...