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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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2. Articles about butterflies
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3. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография
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4. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
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5. The wings of desire
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6. Butterfly collecting in Wyoming, 1952
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7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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8. Ефетов К.А.: «Мне другая слава не нужна!»
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9. Lolita. Part Two. Chapters 22 - 26
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10. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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11. Lolita. Part Two. Chapters 32 - 36
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12. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). Nabokov's Pictorial Biography
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13. Review by Brian Boyd, Robert Michael Pyle
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14. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
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15. Роупер Р: Набоков в Америке. По дороге к «Лолите». Примечания
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16. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 4
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17. Nabokov's Butterflies: Unpublished and Uncollected Writings
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18. Марш Лора: Владимир Набоков, научный гений
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19. Интервью Набокова на английском языке. BBC-2, 1969 г.
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20. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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21. Щербак Нина: «Роман Владимира Набокова «Ада»: лабиринты смыслов и обратимость времени»
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22. Интервью Набокова на английском языке. Anonymous, 1972 г.
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23. Sartre's first try (Review)
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24. Lolita. Part Two. Chapters 17 - 21
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25. Интервью Набокова на английском языке. Playboy, 1964 г.
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26. Lolita. Part One. Chapters 23 - 27
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27. Интервью Набокова на английском языке. Time, 1969 г.
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28. Эссе о драматургии ("Playwriting", на английском языке)
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29. The female of lycaeides sublivens nab
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30. Интервью Набокова на английском языке. Novel, 1970 г.
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31. Lolita. Part One. Chapters 9 - 11
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32. Комментарий к роману "Евгений Онегин". Приложение I. Абрам Ганнибал
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Примерный текст на первых найденных страницах

1. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory life, from John Shade's homely metaphysics and painful autobiography to what must be his own entirely irrelevant fantasy—unless he really is Charles the Beloved, the deposed King of Zembla; and that unless unlocks only the first in a series of...
2. Articles about butterflies
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Часть текста: of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the shadow of the cliffs and trees onto good...
3. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография
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Часть текста: L. Nusbaum and the Painted Desert in San Diego.” Journal of San Diego History 29, no. 2 (Spring 1983). Agee, James. “The Great American Roadside.” Fortune 10 (September 1934): 53-63, 172, 174, 177. Ahuja, Nitin. “Nabokov’s Case Against Natural Selection.” Tract, 2012. http:// www.hcs.harvard.edu/tract/nabokov. html. Alden, Peter D. “H.M. C. Climbing Camp, 1953.” Harvard Mountaineering, no. 12 (May 1955). Alexander, Victoria N. “Nabokov, Teleology, and Insect Mimicry. ” Nabokov Studies 7 (2002-2003): 177-213. Alexandrov, Vladimir E. “Nabokov and Bely.” In Alexandrov. Garland Companion. Alexandrov, Vladimir E. Nabokov’s Otherworld. Princeton, N. J.: Princeton University Press, 1991. Alexandrov, Vladimir E., ed. The Garland Companion to Vladimir Nabokov. New York: Garland, 1995. Altschuler, Glenn, Kramnick, Isaac. “«Red Cornell»: Cornell in the Cold War, ” part 1. Cornell Alumni Magazine, July 2010. Amis, Martin. “Divine Levity: The Reputation of Vladimir Nabokov Is High and Growing Higher and There Is Much More Work Still to Come.” Times Literary Supplement, December 23 and 30, 2011, 3-5. Amis, Martin. “The Sublime and the Ridiculous: Nabokov’s Black Farces”. In Quennell. Vladimir Nabokov, His Life. Amis,...
4. Розенгрант Дж.: Владимир Набоков и этика изображения. Двуязычная практика
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Часть текста: хочет рассказать эту историю, должен быть готов объяснить оба варианта, охарактеризовав не только их свойства по отдельности, но и их взаимосвязь. Конечно, из-за величины творческого наследия Набокова на обоих языках, множества произведений художественной и документальной прозы, поэтических произведений, а также автопереводов и переводов произведений других авторов, то есть всего, созданного Набоковым с 1923 года до его смерти в 1977 году, любое исследование его стиля натолкнется на лингвистические, текстологические и эстетические вопросы необычайной сложности. [2] Возможно, единственный выход в условиях ограниченного объема данной статьи — обобщающее сокращение; в данном случае замещение творчества писателя одним репрезентативным текстом, охватывающим два языка, и анализ существенно важного аспекта этого текста на конкретных примерах. Текст, выбранный мною, — автобиографический диптих «Speak, Memory»/ «Другие берега», а стилистический аспект, который я собираюсь рассматривать, — образование звуковых повторов, или инструментовка. [3] Автобиография Набокова представляется произведением репрезентативным и даже парадигматическим по двум главным причинам. Первая причина заключается именно в том, что речь идет об автобиографии, которая как произведение документальной прозы претендует на достоверное, хотя и очень сложное, изображение самого автора. Это означает, что любой вывод о стиле данного произведения будет относиться не только к рассказчику, сформированному внутри текста в качестве первичного эстетического объекта (как в лирической прозе), но и к исторической личности, к творцу, стоящему за текстом, так как они оба — эстетический объект и творец — в каком-то смысле одно и то же лицо. [4] Точно так же, когнитивный смысл повествования, описание различных случаев, событий и людей приобретает убедительность не только благодаря...
5. The wings of desire
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Часть текста: my first glance of the morning was for the sun, my first thought was for the butterflies it would engender." It was an unusual way to view the world, and one that not many readers - even those who adore Nabokov - may have fully appreciated. In fact, the ferocity of Nabokov's obsession with butterflies has only just been made clear to general readers with the publication of Nabokov's Butterflies, a fascinating volume of unpublished and uncorrected writings on the subject, edited by the Russian author's tireless biographer and critic Brian Boyd, with Robert Michael Pyle, an expert in butterflies. All translations are, as usual, by Nabokov's son Dmitri, who has lavished time and unusual talent on his father's work over several decades. More than 700 densely printed pages on this subject may strike even the most sympathetic reader as overkill. Does anybody really want to read page after page of Nabokov's highly technical descriptions of various butterflies? Are these writings "important" to anyone, even lepidopterists? Is there any connection between Nabokov's passion for "lepping" and his fiction? I suspect "no" is the correct answer to all but the final question, which one must answer resoundingly in the affirmative. In his shrewd introduction Boyd teases out the connections between the writer and the lepidopterist. One comes to understand Vladimir Nabokov as novelist more completely and precisely by understanding that science gave this canny author "a sense of reality that should not be confused with modern (or 'postmodern') epistemological nihilism. "Dissecting and deciphering the genitalic structure of lycaenids, or counting scale rows on their wings, he realised that the further we inquire, the more we can...
6. Butterfly collecting in Wyoming, 1952
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Часть текста: road 127; and W. Medicine Bow National Forest, in the Sierra Madre, using the abominable local road from Encampment to the Continental Divide (approximately 9,500 ft. alt.). Western Wyoming: sagebrush, approximately 6,500 ft. alt. immediately east of Dubois along the (well-named) Wind River; western Shoshone and Teton National Forests, following admirable paved road 26, from Dubois towards Moran over Togwotee Pass (9,500 ft. alt.); near Moran, on Buffalo River, approximately 7,000 ft. alt.; traveling through the construction hell of the city of Jackson, and bearing southeast along paved 187 to The Rim (7,900 ft. alt.); and, finally, spending most of August in collecting around the altogether enchanting little town of Afton (on paved 89, along the Idaho border), approximately 7,000 ft. alt., mainly in canyons east of the town, and in various spots of Bridger National Forest, Southwestern part, along trails up to 9,000 ft. alt. Most of the material collected has gone to the Cornell University Museum; the rest to the...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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Часть текста: second. Waking early,   Tatiana from the window saw   at morn the whitened yard,   8  flower beds, roofs, and fence;   delicate patterns on the panes;   the trees in winter silver,   gay magpies outside, 12  and the hills softly overspread   with winter's brilliant carpeting.   All's bright, all's white around. II   Winter! The peasant, celebrating,   in a flat sledge inaugurates the track;   his naggy, having sensed the snow,   4  shambles at something like a trot.   Plowing up fluffy furrows,   a bold kibitka flies:   the driver sits upon his box   8  in sheepskin coat, red-sashed.   Here runs about a household lad,   upon a hand sled having seated “blackie,”   having transformed himself into the steed; 12  the scamp already has frozen a finger.   He finds it both painful and funny — while   his mother, from the window, threatens him... III   But, maybe, pictures of this kind   will not attract you;   all this is lowly nature;   4  there is not much refinement here.   Warmed by the god of inspiration,   another poet in luxurious language   for us has painted the first snow   8  and all the shades of winter's delectations. 27   He'll captivate you, I am...
8. Ефетов К.А.: «Мне другая слава не нужна!»
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Часть текста: (лат. Lepidoptera - чешуекрылые, или бабочки) [1, с. 28-36; 3, с. 75; 4, с. 63; 7, с. 87; 10, с. 11-14]. Об открытой и описанной им в научной литературе бабочке он сочинил на английском языке стихотворение «On Discovering a Butterfly» («Об открытии бабочки»), которое в последующем публиковалось под более коротким названием - «A Discovery» («Открытие»). Произведение было написано в начале декабря 1942 г., когда Набоков ехал в поезде из Нью-Йорка в Вашингтон. Считается, что стихотворение повторяет ритм движущегося железнодорожного вагона. Впервые оно было опубликовано в популярном американском еженедельнике «Нью-Йоркер» 15 мая 1943 г. Приведем полный текст стихотворения [7, c. 273-274]: A Discovery I found it in a legendary land all rocks and lavender and tufted grass, where it was settled on some sodden sand hard by the torrent of a mountain pass. The features it combines mark it as new to science: shape and shade - the special tinge, akin to moonlight, tempering its blue, the dingy underside, the chequered fringe. My needles have teased out its sculptured sex; corroded tissues could no longer hide that priceless mote now dimpling the convex and limpid teardrop on a lighted slide. Smoothly a screw is turned; out of the mist two ambered hooks symmetrically slope, or scales like battledores of amethyst cross the charmed circle of the microscope. I found it and I named it, being versed in...
9. Lolita. Part Two. Chapters 22 - 26
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Часть текста: browned pine-log kind that Lolita used to be so fond of in the days of our carefree first journey; oh, how different things were now! I am not referring to Trapp or Trapps. After allwell, really… After all, gentlemen, it was becoming abundantly clear that all those identical detectives in prismatically changing cars were figments of my persecution mania, recurrent images based on coincidence and chance resemblance. Soyons   logiques  , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro desserts, fatamorganas. Jos Lizzarrabengoa, as you remember, planned to take his Carmen to the Etats ...
10. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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Часть текста: than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or simply that your history is unique? I do not recall that article; but if a critic makes such a statement, it must surely mean that he has explored the feelings of literally millions of people, in at least three countries, before reaching his conclusion. If so, lama rare fowl indeed. If, on the other hand, he has merely limited himself to quizzing members of his family or club, his statement cannot be discussed seriously. Another critic has written that your "worlds are static....