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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part Two. Chapters 3 - 8
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2. Lolita. Part One. Chapters 9 - 11
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3. Интервью Набокова на английском языке. BBC Television, 1962 г.
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4. Lolita. Part Two. Chapters 1 - 2
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5. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
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6. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
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7. Интервью Набокова на английском языке. Playboy, 1964 г.
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8. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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9. Nabokov's butterflies, dispersed
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10. Lolita. Part One. Chapters 18 - 22
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11. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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12. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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13. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 1
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14. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
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15. Lolita. Part Two. Chapters 17 - 21
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16. Зензинов В. М. - Набокову В. В., 8 августа 1941 г.
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17. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
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18. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
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19. Хейбер Эдит: "Подвиг" Набокова и волшебная сказка
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20. Интервью Набокова на английском языке. The New York Times, 1971 г.
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21. Эссе о драматургии ("Playwriting", на английском языке)
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22. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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23. Lolita. Part Two. Chapters 22 - 26
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24. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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25. Интервью Набокова на английском языке. Novel, 1970 г.
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26. Интервью Набокова на английском языке. Anonymous, 1962 г.
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1. Lolita. Part Two. Chapters 3 - 8
Входимость: 5. Размер: 54кб.
Часть текста: “what d’you think you are doing?” was all I got for my pains. To the wonderland I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no doubt anxious to have me take Lolita to the seaside and have ...
2. Lolita. Part One. Chapters 9 - 11
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Часть текста: shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on Prince of Wales’ Island, I understand) the wandering and wobbly north magnetic pole. One group, jointly with the Canadians, established a weather station on Pierre Point in Melville Sound. Another group, equally misguided, collected plankton. A third studied tuberculosis in the tundra. Bert, a film photographeran insecure fellow with whom at one time I was made to partake in a good deal of...
3. Интервью Набокова на английском языке. BBC Television, 1962 г.
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Часть текста: television interview to Zermatt where I happened to be collecting that summer. The lepidoptera lived up to the occasion, so did the weather. My visitors and their crew had never paid much attention to those insects and I was touched and flattered by the childish wonderment with which they viewed the crowds of butterflies imbibing moisture on brookside mud at various spots of the mountain trail. Pictures were taken of the swarms that arose at my passage, and other hours of the day were devoted to the reproduction of the interview proper. It eventually appeared on the Bookstand program and was published in The Listener (November 22, 1962). I have mislaid the cards on which I had written my answers. I suspect that the published text was taken straight from the tape for it teems with inaccuracies. These I have tried to weed out ten years later but was forced to strike out a few sentences here and there when memory refused to restore the sense flawed by defective or improperly mended speech. The poem I quote (with metrical accents added) will be found translated into English in Chapter Two of The Gift, G. P. Putnam's Sons, New York, 1963. Would you ever go back to Russia? I will never go back, for the simple reason that all the Russia I need is always with me: literature, language, and my own Russian childhood. I will never return. I will never surrender. And anyway, the grotesque shadow of a police state will not be dispelled in my lifetime. I don't think they...
4. Lolita. Part Two. Chapters 1 - 2
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Часть текста: paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an unsmiling landlady always prepared to have her gift (“…well, I could give you…”) turned down. Nous connmes   (this is royal fun) the would-be enticements of their repetitious namesall those Sunset Motels, U-Beam Cottages, Hillcrest Courts, Pine View Courts, Mountain View Courts, Skyline Courts, Park Plaza Courts, Green Acres, Mac’s Courts. There was sometimes a special line in the write-up, such as “Children welcome, pets allowed” ( You   are welcome, you   are allowed). The baths were mostly tiled showers, with an endless variety of spouting mechanisms, but with one definitely non-Laodicean characteristic in common, a propensity, while in use, to turn instantly beastly hot or blindingly cold upon you, depending on whether your neighbor turned on his cold or his hot to deprive you of a necessary complement in the shower you had so carefully blended. Some motels had instructions pasted above the toilet (on whose tank the towels were unhygienically heaped) asking guests not to throw into its bowl garbage, beer cans, cartons, stillborn babies; others had special...
5. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
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Часть текста: a summary patdown after I had been unable to respond satisfactorily to questions simple for a private citizen but p?nibles , as the French say, for an exiled king. My attempts to stoop, and to scrape, and my hastily concocted disguise (Zemblan-born French scholar)--tweedy jacket with worn leather patches on the elbows, hand-carved pipe stuffed with lavender-scented tobacco--were apparently unsuccessful in completely masking the sheen of royalty I was accustomed to exuding. Yes, they found the jewels, but that is a tale for another time. I was met at the station by an envoy, if that's not too grand a word, from the university, whom I did not immediately recognize despite the rectangle of cardstock he held chest-high with my adopted moniker carefully lettered on it. He was so young I looked right past him, toward an elderly gentleman in a dark uniform who corresponded to the mental image of natty chauffeur I had formed during the crossing. When I accosted him with a question and a questioning expression, he shook his head and stared past me, as if I weren't there. I gathered from his stony rebuff that I was only one in a series of persons to have mistaken him for their driver. Looking around, I spotted the person I had previously missed, and marveled at my having missed not only my new name, prominently displayed, but at my having failed to notice and acknowledge such an...
6. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 2
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Часть текста: Нет, этот текст идет дальше: он доказывает, что перверсия — фундаментальный элемент искусства. Чтобы добраться до ядра перверсии в «Пнине», нужно покинуть филологическую раздевалку и обратиться… к белке. Центральная роль этого животного в романе не требует доказательств: белка появляется там неоднократно и в ключевые моменты. Этимологически слово «squirrel» (белка), как мы узнаем из открытки, отправленной Пниным Виктору, означает «shadow tail» («тенехвостая»); благодаря очевидной игре слов — tail / tale (хвост / рассказ) — этот зверек становится образом романа в целом, с его призрачными, как тени, повествователями и метатворческим сюжетом. Р. Олтер и Г. Барабтарло утверждали, что белка служит всего лишь репрезентацией принципа мотивного повторения, без которого, по Набокову, немыслим никакой литературный текст. «Имеет ли Тема Белки особую аллегорическую миссию, — спрашивает Барабтарло, — помимо того, что она включена в общую символику художественного выражения вообще? Уж, по крайней мере, не в романе Набокова» [647]. Излюбленный «мальчик для битья» набоковедов, У. У. Роу, утверждает, что белка — репрезентация призрака Миры Белочкиной, который неотступно преследует героя на протяжении всего текста [648]. С моей точки зрения, белка в романе служит репрезентацией чего-то совсем другого, а ...
7. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took...
8. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: outrageous claims upset certain entrenched academic specialists, and he must flee (a world tour, a centenary), and undergo the ordeals of exile before coming to rest, in some almost successful disguise—as a professor of English at the University of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory life, from John Shade's homely metaphysics and painful autobiography to what must be his own entirely irrelevant fantasy—unless he really is Charles the Beloved, the deposed King of Zembla; and that unless unlocks only the first in a series of secret passages. From the dedication copy of Pale Fire, inscribed by Nabokov for his wife Vera. Image from Vera's Butterflies (NY: Glenn Horowitz Bookseller, 1999). Courtesy the Estate of Vladimir Nabokov. Has Boyd's book-length study, written in response to an online...
9. Nabokov's butterflies, dispersed
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Часть текста: collection, including an elaborate sketch on the flyleaf of a book showing the imaginary "Verina raduga Nab." with dappled wings of violet and blue, blood-orange glimmers and iridescent greens. It was auctioned in Geneva on May 5. "Of course it tugs at the heartstrings to let go of these lovely butterflies," Nabokov said at his home in Montreux, Switzerland. "The little, simple ones are so touching. But I would rather do a thing like this lucidly. Having seen death close up on three occasions, it's frightening to think you might leave such precious loose ends." Dmitri has no direct heirs, so when his parents were still alive, it was decided that the books would be auctioned before his death. The collection, except for a few items, was sold last week for nearly $750,000, less than anticipated: Various private collections, most from France and Switzerland, bought parts of it, which will now be scattered to the breeze. Vladimir Nabokov died near Montreux in...
10. Lolita. Part One. Chapters 18 - 22
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Часть текста: two years, and the latter for hardly a month; when Monsieur wants to get the whole damned thing over with as quickly as possible, and Madame gives in with a tolerant smile; then, my reader, the wedding is generally a “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not...