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    А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
    0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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    1. Lolita. Part One. Chapters 1 - 8
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    2. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
    Входимость: 5. Размер: 36кб.
    3. Lolita. Part One. Chapters 18 - 22
    Входимость: 4. Размер: 53кб.
    4. Lolita. Part One. Chapters 23 - 27
    Входимость: 4. Размер: 59кб.
    5. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
    Входимость: 4. Размер: 16кб.
    6. Review by Brian Boyd, Robert Michael Pyle
    Входимость: 3. Размер: 13кб.
    7. Lolita. Part Two. Chapters 27 - 31
    Входимость: 3. Размер: 46кб.
    8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
    Входимость: 3. Размер: 71кб.
    9. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
    Входимость: 3. Размер: 39кб.
    10. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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    11. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
    Входимость: 2. Размер: 23кб.
    12. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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    13. Lolita. Part Two. Chapters 32 - 36
    Входимость: 2. Размер: 58кб.
    14. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
    Входимость: 2. Размер: 55кб.
    15. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
    Входимость: 2. Размер: 51кб.
    16. Nabokov's butterflies, dispersed
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    17. Lolita. Part One. Chapters 9 - 11
    Входимость: 2. Размер: 53кб.
    18. Forget Lolita - let's hear it for lepidoptery...
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    19. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter One. On Visiting Nabokov's Tomb
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    20. Интервью Набокова на английском языке. Vogue, 1972 г.
    Входимость: 2. Размер: 17кб.
    21. Интервью Набокова на английском языке. Life, 1964 г.
    Входимость: 2. Размер: 10кб.
    22. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Two. An Insipid Incipit
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    23. Anniversary notes
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    24. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Man
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    25. Мейер Присцилла. "Бледный огонь" Владимира Набокова. 3. Англосаксы: король Альфред Великий
    Входимость: 1. Размер: 59кб.
    26. Комментарий к роману "Евгений Онегин". Глава первая. Пункты XLIV - LI
    Входимость: 1. Размер: 65кб.
    27. Nabokov's Butterflies: Unpublished and Uncollected Writings
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    28. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
    Входимость: 1. Размер: 11кб.
    29. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
    Входимость: 1. Размер: 54кб.
    30. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
    Входимость: 1. Размер: 26кб.
    31. Lolita. Part Two. Chapters 9 - 16
    Входимость: 1. Размер: 59кб.
    32. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава третья
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    33. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
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    34. Интервью Набокова на английском языке. Playboy, 1964 г.
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    35. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Five. Kafka
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    36. Ада, или Эротиада (перевод О. М. Кириченко). Часть первая. Глава 2
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    37. Комментарий к роману "Евгений Онегин". Глава пятая. Пункты XXVII - XLV
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    38. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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    39. Inspiration
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    40. Интервью Набокова на английском языке. Anonymous, 1962 г.
    Входимость: 1. Размер: 10кб.
    41. Отчаяние. Предисловие автора к американскому изданию
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    42. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
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    43. Боги (перевод С. В. Сакуна)
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    44. Nabokov: from lepidopterology to "Lolita"
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    45. Безродный М.: Супруги Комаровы. Заметка на полях "Пнина"
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    46. Lolita. Part Two. Chapters 1 - 2
    Входимость: 1. Размер: 49кб.
    47. Lolita. Part Two. Chapters 17 - 21
    Входимость: 1. Размер: 52кб.
    48. Бледное пламя. Комментарии (страница 7)
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    49. Мельников Н. Г.: О Набокове и прочем. Роман-протей Владимира Набокова
    Входимость: 1. Размер: 50кб.
    50. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
    Входимость: 1. Размер: 53кб.

    Примерный текст на первых найденных страницах

    1. Lolita. Part One. Chapters 1 - 8
    Входимость: 8. Размер: 53кб.
    Часть текста: is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My mother’s elder sister, Sybil, whom a cousin of my father’s had married and then neglected, served in my immediate family as a kind of unpaid governess and housekeeper. Somebody told me later that she had been in love with my father, and that he had lightheartedly taken advantage of it one rainy day and forgotten it by the time the weather cleared. I was extremely fond of her, despite the rigiditythe fatal rigidityof some of her rules. Perhaps she wanted to make of me, in the fullness of time, a...
    2. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
    Входимость: 5. Размер: 36кб.
    Часть текста: used to put it in judicious France, " the aurelian, " as the poets said in grove-rich England, the "fly doctor," as they wisecracked in advanced Russian circles) who wished to acquire from books a general notion of the fauna of Europe, including Russia, was compelled to scrabble for his crumbs of information in entomological journals in six languages and in multivolume, hard-to-find editions such as the Oberthьr books or those of Grand Duke Nikolai Mikhailovich. The absence or utter inadequacy of "references" in the atlases ad usum Delphini, the tedious perusal of the index of names enclosed with an annual volume of a monthly journal, the sheer number of these journals and volumes (in my father's library there were more than a thousand of the latter alone, representing a good hundred journals) - all this had to be overcome in order to hunt down the necessary reference, if it existed at all. Nonetheless, even in my exceptionally propitious situation things were not easy: Russia, particularly in the north, dwelt in a mist, while the local lists, scattered through the journals, totally haphazard, scanty, and cruelly inaccurate in nomenclature, only maddened me when at last I ferreted them out. My father was the preeminent entomologist of his time, and very well off to boot, but the ordinary amateur, unable to dispatch his scouts...
    3. Lolita. Part One. Chapters 18 - 22
    Входимость: 4. Размер: 53кб.
    Часть текста: cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very genteel: she said “excuse me” whenever a slight burp interrupted her flowing speech, called an envelope and ahnvelope, and when talking to her lady-friends referred to me as Mr. Humbert. I thought it would please her if I entered the community trailing some glamour after me. On the day of our wedding a little interview with me appeared in...
    4. Lolita. Part One. Chapters 23 - 27
    Входимость: 4. Размер: 59кб.
    Часть текста: To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses....
    5. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
    Входимость: 4. Размер: 16кб.
    Часть текста: in verbal legerdemain while speaking of Nabokov is a perilous and perhaps foolhardy undertaking, given his own multilingual mastery over words--one might compare it to beginning a talk on Nijinsky by stepping from behind the lectern to attempt a jeté or two. While much, indeed too much, has been written about Nabokov's English novels, much less has been said about his earliest Russian fiction. It is to this I must now turn. My editor has chided me for diverging too frequently and too widely from my subject--but what is a life if not a series of diversions from some hidden, ineffable theme? Mashen'ka opens with the tongue-twisting name and patronymic of the protagonist Ganin, Lev Glebovich, which, complains the character Alferov, "iazyk vyzvikhnut' mozhno" (7). Instantly we are made aware of the potential treachery of words. With Alferov's statement a few paragraphs later that "vsiakoe imia obiazyvaet," we are also reminded of their power. The first stylistic glimmer of the mature Nabokov, which comes after the brief dialogue between Ganin and Alferov of which chapter one wholly consists, is the sequence "i bubliki, i brilliantin i prosto brillianty" (17-18) a harbinger of such later alliterative lists as "the brook and the boughs and the beauty of the Beyond" 1 and "glacial drifts, drumlins, and gremlins, and kremlins." 2 In the sentence "Tak meshalis' v nem chustvo chesti i chustvo zhalosti, otumanivaia tvorcheskie podvigi, na vsiakii trud, i prinimaiushchagosia za etot trud zhadno, s okhotoi, s radostnym namereniem vse odolet' i vsego dostich'," (33) we are struck by the phrase's musicality and especially by the aptness of the final "dostich'"--chosen in preference to the alternative perfective form of dostigat' , dostignut' (lined out in the fair...
    6. Review by Brian Boyd, Robert Michael Pyle
    Входимость: 3. Размер: 13кб.
    Часть текста: by the heft, detail, and terminology found in the book. Note: Jay Parini writes in The Guardian : "All translations are, as usual, by Nabokov's son Dmitri, who has lavished time and unusual talent on his father's work over several decades." John Fowles also suggests that all the translations are by Dmitri Nabokov. However, in the introductory A Note on the Texts it clearly states that: "Translations are by Brian Boyd unless otherwise noted." (A number are noted as being by Nabokov fils, but certainly not all.) From the Reviews:   "Some selectivity could have made for a more accessible volume, though the care with which it has been assembled is an impressive testament to the deep devotion that Nabokov continues to inspire almost 25 years after his death. Apart from entomologists and Nabokov fans, it is difficult to imagine that many readers will last the enormous distance." - Simon Caterson, The Age "While few readers will want to study the scientific articles reprinted here, their presence in this striking miscellany operates in subtle ways to remind us that Nabokov (who referred to himself as VN), was also a...
    7. Lolita. Part Two. Chapters 27 - 31
    Входимость: 3. Размер: 46кб.
    Часть текста: in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of reality, a promise not only to be simulated seductively but also ...
    8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
    Входимость: 3. Размер: 71кб.
    Часть текста:   the first success provided us with wings;   the aged Derzhavin noticed us — and blessed us   4  as he descended to the grave.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   8  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . III   And I, setting myself for law   only the arbitrary will of passions,   sharing emotions with the crowd,   4  I led my frisky Muse into the hubbub   of feasts and turbulent discussions —   the terror of midnight patrols;   and to them, in mad feasts,   8  she brought her gifts,   and like a little bacchante frisked,   over the bowl sang for the guests;   and the young people of past days 12  would turbulently dangle after her;   and I was proud 'mong friends   of my volatile mistress. IV   But I dropped out of their alliance —   and fled afar... she followed me.   How often the caressive Muse   ...
    9. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
    Входимость: 3. Размер: 39кб.
    Часть текста: try to define the specifics of literary dreams and distinguish them from the reality of life. «Цели такого исследования состоят не в том, чтобы методами психологии анализировать литературный материал, но в том, чтобы методами филологии анализировать то психологическое явление, которое описано литературным материалом» (“The purposes of such studies are not to use the psychological methods for the literary analysis, but to use the literary methods in order to analyze the psychological phenomenon, which is described in the literary text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov,...
    10. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
    Входимость: 2. Размер: 72кб.
    Часть текста: Chapter one EUGENE ONEGIN A Novel in Verse by Aleksandr Pushkin Pétri de vanité il avait encore plus de cette espèce d'orgueil qui fait avouer avec la même indifférence les bonnes comme les mauvaises actions, suite d'un sentiment de supériorité, peut-être imaginaire. Tiré d'une lettre particulière   Not thinking to amuse the haughty world,   having grown fond of friendship's heed,   I wish I could present you with a gage   4  that would be worthier of you —   be worthier of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him...