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Cлово "EVER"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part Two. Chapters 27 - 31
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2. Интервью Набокова на английском языке. Playboy, 1964 г.
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3. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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4. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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5. Здесь говорят по-русски (перевод С. Сакуна)
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6. Эссе о драматургии ("Playwriting", на английском языке)
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7. Интервью Набокова на английском языке. BBC-2, 1969 г.
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8. Lolita. Part Two. Chapters 22 - 26
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9. Lolita. Part One. Chapters 12 - 17
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10. Lolita. Part Two. Chapters 9 - 16
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11. Lolita. Part Two. Chapters 1 - 2
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12. Lolita. Part Two. Chapters 32 - 36
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13. Интервью Набокова на английском языке. Time, 1969 г.
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14. Lolita. Part Two. Chapters 17 - 21
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15. Lolita. Part Two. Chapters 3 - 8
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16. Lolita. Part One. Chapters 18 - 22
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17. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
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18. Lolita. Part One. Chapters 23 - 27
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19. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
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20. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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21. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
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22. Lolita. Part One. Chapters 9 - 11
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23. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
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24. Lolita. Part One. Chapters 28 - 33
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25. Интервью Набокова на английском языке. BBC Television, 1962 г.
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26. Lolita. Part One. Chapters 1 - 8
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27. Комментарии к "Евгению Онегину" Александра Пушкина. Глава осьмая. Эпиграф, пункты I - IX
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28. Комментарий к роману "Евгений Онегин". Глава первая. Пункты XLIV - LI
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29. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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30. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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31. Комментарии к "Евгению Онегину" Александра Пушкина. Глава первая. Пункты XXXVIII - XLIX
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32. Комментарий к роману "Евгений Онегин". Глава восьмая. Эпиграф, пункты I - IV
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33. Articles about butterflies
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34. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Fragments of Onegin's journey
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35. Интервью Набокова на английском языке. Anonymous, 1972 г.
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36. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
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37. Интервью Набокова на английском языке. Life, 1964 г.
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38. Комментарий к роману "Евгений Онегин". Глава восьмая. Пункты XXXIX - LI
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39. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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40. Nabokov's butterflies, dispersed
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41. Интервью Набокова на английском языке. Novel, 1970 г.
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42. Интервью Набокова на английском языке. Anonymous, 1962 г.
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43. L. C. Higcins and N. D. Riley
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44. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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45. Интервью Набокова на английском языке. BBC-2, 1968 г.
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46. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава II. Роман-вальс
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47. Review by Brian Boyd, Robert Michael Pyle
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48. Классик без ретуши. Смотри на арлекинов!
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49. Из переписки Владимира Набокова и Эдмонда Уилсона. 1943 г.
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50. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
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1. Lolita. Part Two. Chapters 27 - 31
Входимость: 11. Размер: 46кб.
Часть текста: past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I sometimes won the race between my fancy and nature’s reality, the deception was bearable. Unbearable pain began when chance entered the fray and deprived me of the smile meant for me. “ Savez-vous qu’ dix ans ma petite tait folle de voius?”   said a woman I talked to at a tea in Paris, and the petite   had just married, miles away, and I could not even remember if I had ever noticed her in that garden, next to those tennis courts, a dozen years before. And now likewise, the radiant foreglimpse, the promise of...
2. Интервью Набокова на английском языке. Playboy, 1964 г.
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Часть текста: acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she completely eclipsed my other works-- at least those I wrote in English: The Real Life of Sebastian Knight, Bend Sinister, my short stories, my book of recollections; but I cannot grudge her this. There is a queer, tender charm about that mythical nymphet. Though many readers and reviewers would disagree that her charm is tender, few would deny that it is queer-- so much so that when director Stanley Kubrick proposed his plan to make a movie of Lolita, you were quoted as saying, "Of course they'll have to change the plot. Perhaps they will make Lolita a dwarfess. Or they will make her 16 and Humbert 26. " Though you finally wrote the screenplay yourself, several reviewers took the film to task for watering down the central relationship. Were you satisfied with the final product? I thought the movie was absolutely first-rate. The four main actors deserve the very highest praise. Sue Lyon bringing that breakfast tray or childishly pulling on her sweater in the car-- these are moments of unforgettable acting and directing. The killing of...
3. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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Часть текста: frequent between men of forty and girls very little older than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or...
4. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: 28, 29, 1966, at Montreux, Switzerland. Mr. Nabokov and his wife have for the last six years lived in an opulent hotel built in 1835, which still retains its nineteenth-century atmosphere. Their suite of rooms is on the sixth floor, overlooking Lake Geneva, and the sounds of the lake are audible through the open doors of their small balcony. Since Mr. Nabokov does not like to talk off the cuff (or "Off the Nabocuff," as he said) no tape recorder was used. Mr. Nabokov ei! ther wrote out his answers to the questions or dictated them to the interviewer; in some instances, notes from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile...
5. Здесь говорят по-русски (перевод С. Сакуна)
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Часть текста: глянцевые международные диалекты, которые с таким же успехом служат названиями гостиниц; повыше располагались ряды папирос, ухмыляющиеся в их легковесных домиках. В своё время Мартын был обеспеченным помещиком. Он был славен в моих детских воспоминаниях замечательным трактором, во времена, когда я и его сын Петя одновременно стали жертвами Майн Рида и скарлатины, так, что теперь, после пятнадцати лет битком набитых всяческими вещами, я с удовольствием останавливался у этой табачной лавки, на этом оживленном углу, где Мартын продавал свой товар. Но с прошлого года нас связывало больше чем общие воспоминания. У Мартына была тайна, и я участвовал в этой тайне. “Ну, всё как обычно?” Спрашивал я шёпотом, и он, глянув поверх плеча, отвечал так же тихо, “да, слава богу, всё спокойно”. Эта тайна была совершенно необычайной. Я вспомнил, как уезжал в Париж и как за день до отъезда просидел до вечера у Мартына. Душу человека можно сравнить с универсальным магазином, а его глаза с двумя витринными окнами. Прицениваясь к глазам Мартына, отметим, что тёпло-коричневые тона были в моде. Судя по глазам, товар в этой душе был отменного качества. А какая пышная борода довольно поблёскивала здоровой русской сединой. А его плечи, его рост, его выражение лица. ... Одно время даже говорили, что он мог разрубить платок мечём, - один из подвигов Ричарда Львиное Сердце. И теперь ещё всякий эмигрант мог бы сказать с завистью, “Этот не...
6. Эссе о драматургии ("Playwriting", на английском языке)
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Часть текста: during the summer of 1941. We had arrived in America in May of 1940; except for some brief guest appearances, this was Father's first lecturing engagement at an American university. The Stanford course also included a discussion of some American plays, a survey of Soviet theatre, and an analysis of commentary on drama by several American critics. The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the...
7. Интервью Набокова на английском языке. BBC-2, 1969 г.
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Часть текста: Everyone can sort out convenient patterns of related themes in the past development of his life. Here again I had to provide pegs and echoes when furnishing my reception halls. Is the strongest tie between men this common captivity in time? Let us not generalize. The common captivity in time is felt differently by different people, and some people may not feel it at all. Generalizations are full of loopholes and traps. I know elderly men for whom "time" only means "timepiece." What distinguishes us from animals? Being aware of being aware of being. In other words, if I not only know that I am but also know that I know it, then I belong to the human species. All the rest follows-- the glory of thought, poetry, a vision of the universe. In that respect, the gap between ape and man is immeasurably greater than the one between amoeba and ape. The difference between an ape's memory and human memory is the difference between an ampersand and the British Museum library. Judging from your own awakening consciousness as a child, do you think that the capacity to use language, syntax, relate ideas, is something we learn from adults, as if ...
8. Lolita. Part Two. Chapters 22 - 26
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Часть текста: or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during the last laptwo hundred mountainous miles uncontaminated by smoke-gray sleuths or zigzagging zanies. She hardly glanced at the famous, oddly shaped, splendidly flushed rock which jutted above the mountains and had been the take-off for nirvana on the part of a temperamental show girl. The town was newly built, or rebuilt, on the flat floor of a seven-thousand-foot-high valley; it would soon bore Lo, I hoped, and we would spin on to California, to the Mexican border, to mythical bays, saguaro...
9. Lolita. Part One. Chapters 12 - 17
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Часть текста: in parks; had wedged my wary and bestial way into the hottest, most crowded corner of a city bus full of straphanging school children. But for almost three weeks I had been interrupted in all my pathetic machinations. The agent of these interruptions was usually the Haze woman (who, as the reader will mark, was more afraid of Lo’s deriving some pleasure from me than of my enjoying Lo). The passion I had developed for that nymphetfor the first nymphet in my life that could be reached at last by my awkward, aching, timid clawswould have certainly landed me again in a sanatorium, had not the devil realized that I was to be granted some relief if he wanted to have me as a plaything for some time longer. The reader has also marked the curious Mirage of the Lake. It would have been logical on the part of Aubrey McFate (as I would like to dub that devil of mine) to arrange a small treat for me on the promised beach, in the presumed forest. Actually, the promise Mrs. Haze had made was a fraudulent one: she had not told me that Mary Rose Hamilton (a dark little beauty in her own right) was to come too, and that the two nymphets would be whispering apart, and playing apart, and having a good time all by themselves, while Mrs. Haze and her handsome lodger conversed sedately in the seminude, far from prying eyes. Incidentally, eyes did pry and tongues did wag. How queer life is! We hasten to alienate the very fates we intended to woo. Before my actual arrival, my landlady had planned to have an old spinster, a Miss Phalen, whose mother had been cook in Mrs. Haze’s family, come to stay in the house with Lolita and...
10. Lolita. Part Two. Chapters 9 - 16
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Часть текста: approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current...