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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
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2. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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4. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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5. Lolita. Part One. Chapters 1 - 8
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6. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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7. Articles about butterflies
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8. Lolita. Part Two. Chapters 9 - 16
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9. Lolita. Part One. Chapters 9 - 11
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10. Lolita. Part Two. Chapters 17 - 21
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11. Anniversary notes
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12. Lolita. Part One. Chapters 23 - 27
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13. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Five. Kafka
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14. Lolita. Part Two. Chapters 22 - 26
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15. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
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16. Lolita. Part One. Chapters 18 - 22
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17. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America
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18. Lolita. Part Two. Chapters 27 - 31
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19. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). Nabokov's Pictorial Biography
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20. Lolita. Part One. Chapters 12 - 17
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21. Интервью Набокова на английском языке. Playboy, 1964 г.
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22. The female of lycaeides sublivens nab
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23. Интервью Набокова на английском языке. BBC Television, 1962 г.
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24. Интервью Набокова на английском языке. Vogue, 1972 г.
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25. Lolita. Part Two. Chapters 3 - 8
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26. Lolita. Part One. Chapters 28 - 33
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27. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
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28. Интервью Набокова на английском языке. Time, 1969 г.
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29. Nabokov's Butterflies: Unpublished and Uncollected Writings
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30. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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31. Здесь говорят по-русски (перевод С. Сакуна)
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32. Интервью Набокова на английском языке. Anonymous, 1962 г.
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33. Интервью Набокова на английском языке. Novel, 1970 г.
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34. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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35. Эссе о драматургии ("Playwriting", на английском языке)
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36. Lolita. Part Two. Chapters 32 - 36
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37. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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38. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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39. Грейсон Джейн: Метаморфозы "Дара"
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40. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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41. Сакун С. В.: Гамбит Сирина (сборник статей). Блез Паскаль в метафизическом подтексте романа В. Набокова "Защита Лужина"
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42. Lolita. Part Two. Chapters 1 - 2
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43. Интервью Набокова на английском языке. BBC-2, 1969 г.
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44. Зелински Ян: Лебеди крупнее лодок (Набоков и Марко Поло)
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45. Ада, или Эротиада (перевод О. М. Кириченко). Часть первая. Глава 12
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46. Блюмбаум Аркадий: Антиисторицизм как эстетическая позиция (К проблеме: Набоков и Бергсон)
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47. Мельников Н.: Портрет без сходства (ознакомительный фрагмент). Источники
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48. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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49. Шифф Стейси: Вера (Миссис Владимир Набоков). 4. Тот самый персонаж
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50. Интервью Набокова на английском языке. Vogue, 1969 г.
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1. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
Входимость: 13. Размер: 23кб.
Часть текста: dear, that the greatest menace to happy domestic life is CHESS." -- Shakhmatnaia goriachka 1 Zashchita Luzhina [literally, Luzhin's Defense] was written in 1929 while the Master and his wife were vacationing and hunting butterflies in the Pyren?es Orientales and published serially, first in Rul' (one chapter), then in Sovremennye zapiski , nos. 40-42, and finally in book form later that same year by Slovo in Berlin. An English version, translated by the author in collaboration with Michael Scammell, was published in 1964 by Putnam as The Defenestration . This edition is true to the original with the exception of two references to Zembla that the author, or the translator, or an unnamed editor, or an inattentive typesetter, chose to remove, or happened to remove inadvertantly, from Chapters Two and Five. Zashchita Luzhina is a book about chess, "a game of skill played by two persons, each having sixteen pieces to move in different ways, on a board divided into 64 squares, alternately light and dark." (I owe this pithy definition to Webster.) If the reader does not know, or has forgotten, the rules to the game, he or she is invited to consult one of the many pamphlets devoted to chess that must...
2. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
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Часть текста: the seedy but comfortable hotel in Villefranche-sur-Mer where I was recovering from recent scholarly labors, to "get on with it." (Incidentally, the sea softly plashing against the sandy edge of this charming townlet is, at noon, a deep azure hue, recalling a certain lake in my homeland, a distant northern land. And at night, I have noticed on my insomniac rambles, the moon casts slivers of silvery light upon the ink-black waters. Do remind me to say more of this later.) The original contract for this book (signed three years ago with a then noticeably more solicitous publisher whose name I am legally bound not to mention) stipulated that the text be comprised not only of biography proper (of which the reader has already enjoyed, I trust, a taste) but also of criticism of each of Nabokov's books. In lieu of any sensible reason not to proceed in any but a chronological, or pseudo-chronological, fashion, I turn now to Korol', dama, valet , 2 a novel quite different from Mashen'ka , strangely lacking in luster, which a 28-year-old Sirin began in July of 1927 and a 29-year-old Sirin completed in June of the following year, not very far from here, I'm told. The plot, though banal, perhaps bears repeating. A brooding, not...
3. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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Часть текста: from the conversation were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should be immediately recognized by a special pattern or unique coloration. His habitat may confirm the correctness of the determination but should not lead to it. Locality labels are known to have been faked by unscrupulous insect dealers. Apart from these considerations I think of myself today as an American writer who has once been a Russian o! ne. The Russian...
4. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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Часть текста: the literary theory, which is called “literary hypnology” or “oineropoetics.” Scholars try to define the specifics of literary dreams and distinguish them from the reality of life. «Цели такого исследования состоят не в том, чтобы методами психологии анализировать литературный материал, но в том, чтобы методами филологии анализировать то психологическое явление, которое описано литературным материалом» (“The purposes of such studies are not to use the psychological methods for the literary analysis, but to use the literary methods in order to analyze the psychological phenomenon, which is described in the literary text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic...
5. Lolita. Part One. Chapters 1 - 8
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Часть текста: jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My mother’s elder sister, Sybil, whom a cousin of my father’s had married and then neglected, served in my immediate family as a kind of unpaid governess and housekeeper. Somebody told me later...
6. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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Часть текста: what is to come, is more apt to catch the glimpses of future greatness that the prose of a first novel allows. After having considered and discarded one by one a series of clever but clumsy titles for this chapter I settled on the pedestrian choice above. Engaging in verbal legerdemain while speaking of Nabokov is a perilous and perhaps foolhardy undertaking, given his own multilingual mastery over words--one might compare it to beginning a talk on Nijinsky by stepping from behind the lectern to attempt a jeté or two. While much, indeed too much, has been written about Nabokov's English novels, much less has been said about his earliest Russian fiction. It is to this I must now turn. My editor has chided me for diverging too frequently and too widely from my subject--but what is a life if not a series of diversions from some hidden, ineffable theme? Mashen'ka opens with the tongue-twisting name and patronymic of the protagonist Ganin, Lev Glebovich, which, complains the character Alferov, "iazyk vyzvikhnut' mozhno" (7). Instantly we are made aware of the potential treachery of words. With Alferov's statement a few paragraphs later that "vsiakoe imia obiazyvaet," we are also reminded of their power. The first stylistic glimmer of...
7. Articles about butterflies
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Часть текста: THE FEMALE OF LYCAEIDES SUBLIVENS NAB Last summer (1951) I decided to visit Telluride, San Miguel County, Colorado, in order to search for the unknown female of what I had described as Lycaeides argyrognomon sublivens in 1949 (Bull. Mus. Comp. Zool., vol. 101: p. 513) on the strength of nine males in the Museum of Comparative Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of...
8. Lolita. Part Two. Chapters 9 - 16
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Часть текста: a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with...
9. Lolita. Part One. Chapters 9 - 11
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Часть текста: ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on Prince of Wales’ Island, I understand) the wandering and wobbly north magnetic pole. One group, jointly with the Canadians, established a weather station on Pierre Point in Melville Sound....
10. Lolita. Part Two. Chapters 17 - 21
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Часть текста: but I kept itusing it for a totally different purpose. In order to break some pattern of fate in which I obscurely felt myself being enmeshed, I had decideddespite Lo’s visible annoyanceto spend another night at Chestnut Court; definitely waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s glass lake. Farlow, with whom I had roamed those remote woods, was an admirable marksman, and with his. 38 actually managed to hit ...