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Cлово "MEAN"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Lolita. Part Two. Chapters 27 - 31
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2. Lolita. Part Two. Chapters 9 - 16
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3. Эссе о драматургии ("Playwriting", на английском языке)
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4. Lolita. Part Two. Chapters 32 - 36
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5. Lolita. Part Two. Chapters 3 - 8
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6. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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7. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
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8. Lolita. Part One. Chapters 28 - 33
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9. Lolita. Part Two. Chapters 17 - 21
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10. Lolita. Part One. Chapters 23 - 27
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11. Lolita. Part One. Chapters 12 - 17
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12. Интервью Набокова на английском языке. Playboy, 1964 г.
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13. Интервью Набокова на английском языке. BBC-2, 1968 г.
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14. Lolita. Part One. Chapters 9 - 11
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15. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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16. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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17. Articles about butterflies
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18. Anniversary notes
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19. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
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20. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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21. Мельников Н. Г.: О Набокове и прочем. Несовершенное творение, или стрельба дуплетом
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22. Трезьяк Дж.: Разгадывая страдание
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23. Интервью Набокова на английском языке. BBC-2, 1969 г.
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24. Левинтон Г. А.: The Importance of Being Russian или Les allusions perdues
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25. Интервью Набокова на английском языке. Anonymous, 1972 г.
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26. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). His Legacy
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27. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
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28. Интервью Набокова на английском языке. Novel, 1970 г.
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29. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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30. Федотов О.И.: Между Моцартом и Сальери (о поэтическом даре Набокова). 1.7. Пасха. Время гибели и воскресения
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31. Комментарий к роману "Евгений Онегин". Глава восьмая. Пункты XV - XXII
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32. Интервью Набокова на английском языке. BBC Television, 1962 г.
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33. On some inaccuracies in klots' field guide
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34. Заметки для авторского вечера "Стихи и комментарии" 7 мая 1949 г.
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35. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть I. Набоков — man of letters
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36. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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37. Найман Эрик: Извращения в «Пнине» (Набоков наоборот). Глава 1
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1. Lolita. Part Two. Chapters 27 - 31
Входимость: 9. Размер: 46кб.
Часть текста: used to recollect, with anguished amusement, the times in my trustful, pre-dolorian past when I would be misled by a jewel-bright window opposite wherein my lurking eye, the ever alert periscope of my shameful vice, would make out from afar a half-naked nymphet stilled in the act of combing her Alice-in-Wonderland hair. There was in the fiery phantasm a perfection which made my wild delight also perfect, just because the vision was out of reach, with no possibility of attainment to spoil it by the awareness of an appended taboo; indeed, it may well be that the very attraction immaturity has for me lies not so much in the limpidity of pure young forbidden fairy child beauty as in the security of a situation where infinite perfections fill the gap between the little given and the great promisedthe great rosegray never-to-be-had. Mes fentres!   Hanging above blotched sunset and welling night, grinding my teeth, I would crowd all the demons of my desire against the railing of a throbbing balcony: it would be ready to take off in the apricot and black humid evening; did take offwhereupon the lighted image would move and Even would revert to a rib, and there would be nothing in the window but an obese partly clad man reading the paper. Since I...
2. Lolita. Part Two. Chapters 9 - 16
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Часть текста: person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with phoney British aspirations. Unfortunately, despite “that French kid’s uncle” being “a millionaire,” Lo dropped Eva for some reason before I had had time to enjoy in my modest way her fragrant presence in the Humbert open house. The reader knows what importance I attached to having a bevy of page girls, consolation prize nymphets, around my Lolita. For a while, I endeavored to interest my senses in Mona Dahl who was a good deal around, especially during the spring term when Lo and she got so enthusiastic about dramatics. I have often wondered what secrets outrageously treacherous Dolores Haze had imparted to Mona while blurting out to me by urgent and well-paid request various...
3. Эссе о драматургии ("Playwriting", на английском языке)
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Часть текста: plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a phenomenon he considered "freakish" - are now commonplace: actors wander and mix; the audience is invited to participate; it is then applauded by the players in a curious reversal of roles made chic by Soviet performers ordered to...
4. Lolita. Part Two. Chapters 32 - 36
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Часть текста: heart ona roller rink with some special plastic floor or a movie matinee to which she wanted to go alone), I happened to glimpse from the bathroom, through a chance combination of mirror aslant and door ajar, a look on her face… that look I cannot exactly describe… an expression of helplessness so perfect that it seemed to grade into one of rather comfortable inanity just because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I have still other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a concert and walking behind them so close as almost to touch them with my person), she turned to Eva, and so very serenely and seriously, in answer to something the other had said about its being better to die than hear Milton Pinski, some local schoolboy she knew, talk about music, my Lolita remarked: “You know, what’s so dreadful about dying is that you are completely on your own”; and it struck me, as my automaton knees went up and down, that I simply did not know a thing about my darling’s mind and...
5. Lolita. Part Two. Chapters 3 - 8
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Часть текста: I had to offer, my fool preferred the corniest movies, the most cloying fudge. To think that between a Hamburger and a Humburger, she wouldinvariably, with icy precisionplump for the former. There is nothing more atrociously cruel than an adored child. Did I mention the name of that milk bar I visited a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible...
6. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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Часть текста: sense of the immorality of the relationship between Humbert Humbert and Lolita is very strong. In Hollywood and New York, however, relationships are frequent between men of forty and girls very little older than Lolita. They marry-- to no particular public outrage; rather, public cooing. No, it is not my sense of the immorality of the Humbert Humbert-Lolita relationship that is strong; it is Humbert's sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make...
7. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Four. Night Roams the Fields
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Часть текста: is something more. Whether or not there is Bog with a capital B, the possibility that human existence, with its stomach-sucking abyss of laughter and tears, tea leaves and tree bark, fleeting smiles and fleecy clouds, ineffable bliss and inconsolable despair, ends, once and for all, merely as a consequence of the sudden cessation of a small series of mechanical events (beating heart, expanding lungs) is purely and simply unthinkable--in the literal sense of that term. As a late friend of mine liked to say when confronted by a particularly short-sighted variety of seize-the-day hedonist: Life is not a dress rehearsal, true; but neither is it the final act. Ladies and Gentlemen, I have a confession to make: since beginning this book, I have been haunted. By this I do not mean obsessed by my subject, nor beguiled by a dim whiff of literary fame, nor even the victim of an id?e fixe . I mean haunted, from the Old Zemblan heimte : to bring home, pull, fetch, claim. Someone or something has been haunting me: dogging my mental steps, hiding my pencils and note cards, tapping a disembodied fingernail against my cabin’s windowpanes, whispering seductive doom between gusts of March wind and endeavoring in every conceivable way to coax me through the looking glass. I think I know who it is. *** A colleague to whom I had unbosomed myself the morning after a particularly bad night mentioned, later in the conversation and quite offhandedly, that he had a friend (let’s call her LN) in Omaha who had recently consulted a psychic with the aim of contacting her spouse, who had died unexpectedly a few years prior. The psychic in question, a bony Asian lady with the odd name of Madame Fat, claimed ...
8. Lolita. Part One. Chapters 28 - 33
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Часть текста: and find my nymphet, my beauty and bride, imprisoned in her crystal sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that “purity” (incidentally, thoroughly debunked by modern science) had been slightly damaged through some juvenile erotic experience, no doubt homosexual, at that accursed camp of hers. Of course, in my old-fashioned, old-world way, I, Jean-Jacques Humbert, had taken for granted, when I first met her, that she was as unravished as the stereotypical notion of “normal child” had been since the lamented end of the Ancient World B. C. and its fascinating practices. We are not surrounded in our enlighted era by little slave flowers that can be casually plucked between business and bath as they used to be in the days of the Romans; and we do not, as dignified Orientals did in still more luxurious times, use tiny entertainers fore and aft between the mutton and the rose sherbet. The whole point is that the old link between the adult world and the child world has been completely severed nowadays by new customs and new laws. Despite my having dabbled in psychiatry and social work, I really knew very little about children. After all, Lolita was only twelve,...
9. Lolita. Part Two. Chapters 17 - 21
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Часть текста: still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s glass lake. Farlow, with whom I had roamed those remote woods, was an admirable marksman, and with his. 38 actually managed to hit a hummingbird, though I must say not much of it could be retrieved for proofonly a little iridescent fluff. A burley ex-policeman called Krestovski, who in the twenties had shot and killed two escaped convicts, joined us and bagged a tiny woodpeckercompletely out of season, incidentally. Between those two sportsmen I of course was a novice and kept missing everything, though I did would a...
10. Lolita. Part One. Chapters 23 - 27
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Часть текста: lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that ...