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Cлово "REFLECT"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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2. Lolita. Part One. Chapters 1 - 8
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3. Articles about butterflies
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4. Lolita. Part Two. Chapters 32 - 36
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5. Review by Brian Boyd, Robert Michael Pyle
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6. On some inaccuracies in klots' field guide
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7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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8. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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9. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава I. Звуки и запахи
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10. Lolita. Part Two. Chapters 17 - 21
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11. Lolita. Part Two. Chapters 3 - 8
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12. Lolita. Part One. Chapters 28 - 33
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13. Интервью Набокова на английском языке. The New York Times, 1969 г.
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14. Интервью Набокова на английском языке. Novel, 1970 г.
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15. Lolita. Part One. Chapters 9 - 11
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16. L. C. Higcins and N. D. Riley
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17. Интервью Набокова на английском языке. Time, 1969 г.
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18. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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19. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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20. Rowe's symbols
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1. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 3. Размер: 55кб.
Часть текста: Olga's side sank into meditation,   4  pleased with his vengeance.   After him Ólinka yawned too,   sought Lenski with her eyes,   and the endless cotillion   8  irked her like an oppressive dream.   But it has ended. They go in to supper.   The beds are made. Guests are assigned   night lodgings — from the entrance hall 12  even to the maids' quarters. Restful sleep   by all is needed. My Onegin   alone has driven home to sleep. II   All has grown quiet. In the drawing room   the heavy Pustyakov   snores with his heavy better half.   4  Gvozdin, Buyanov, Petushkov,   and Flyanov (who is not quite well)   have bedded in the dining room on chairs,   with, on the floor, Monsieur Triquet   8  in underwaistcoat and old nightcap.   All the young ladies, in Tatiana's   and Olga's rooms, are wrapped in sleep.   Alone, sadly by Dian's beam 12  illumined at the window,...
2. Lolita. Part One. Chapters 1 - 8
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Часть текста: light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, a certain initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in ...
3. Articles about butterflies
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Часть текста: butterflies Articles about butterflies THE FEMALE OF LYCAEIDES SUBLIVENS NAB Last summer (1951) I decided to visit Telluride, San Miguel County, Colorado, in order to search for the unknown female of what I had described as Lycaeides argyrognomon sublivens in 1949 (Bull. Mus. Comp. Zool., vol. 101: p. 513) on the strength of nine males in the Museum of Comparative Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the shadow of the cliffs and trees onto good hunting grounds. Everything would be cold and gloomy half an hour later. At around 10 a. m. ...
4. Lolita. Part Two. Chapters 32 - 36
Входимость: 1. Размер: 58кб.
Часть текста: day when having withdrawn the functional promise I had made her on the eve (whatever she had set her funny little heart ona roller rink with some special plastic floor or a movie matinee to which she wanted to go alone), I happened to glimpse from the bathroom, through a chance combination of mirror aslant and door ajar, a look on her face… that look I cannot exactly describe… an expression of helplessness so perfect that it seemed to grade into one of rather comfortable inanity just because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I...
5. Review by Brian Boyd, Robert Michael Pyle
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Часть текста: to inspire almost 25 years after his death. Apart from entomologists and Nabokov fans, it is difficult to imagine that many readers will last the enormous distance." - Simon Caterson, The Age "While few readers will want to study the scientific articles reprinted here, their presence in this striking miscellany operates in subtle ways to remind us that Nabokov (who referred to himself as VN), was also a student "of that other VN, Visible Nature"." - Jay Parini, The Guardian "Nabokovian humour shines through these writings, illustrated by a note he penned to Hugh Hefner pointing out how the carefully positioned wings and eyespot of a butterfly can be made to look like the Playboy bunny motif." - Steve Connor, The Independent "This book glistens like a rainforest: swarming with sap and colour, with love and death." - Robert Winder, New Statesman " Nabokov's Butterflies is a book trying to be many books (.....) The thematic anthology has its charms, but they...
6. On some inaccuracies in klots' field guide
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Часть текста: Nab. are still doing as fine under those old gnarled pines along the railroad as they did ninety years ago. On p. 165, another, more unfortunate transposition occurs: "When fawn colored, more vivid in tone" should refer not to Lycaeides argyrognomon {idas\ but to L. melissa, while "wings beneath, when fawn colored, duller in tone" should refer not to L. melissa but to L. argyrognomon {Idas] (see my "Nearctic Lycaeides," Bull. Mus. Comp. Zool., vol. 101: p. 541: 1949). On pp. 162-164, the genus Brephidium (in company with two others) is incorrectly placed between Hemiargus and Lycaeides. I have shown in my paper on Neotropical Plebejinae (Psyche, vol. 52: pp. 1-61; 1945) that Hemiargus {sensu lato) and Lycaeides belong to the same group (subfamily Plebejinae-- or supergenus Plebejus; the rank does not matter but the relationship does). Brepbidium, of course, stands on the very outskirts of the family, in a highly specialized group, immeasurably further removed from Hemiargus or Lycaeides than, say, Lycaena. This is where my subfamilies come in handy since at least they keep related things in one bunch and eject intruders. Views may differ in regard to the hierarchic element in the classification I adopt, but no one has questioned so far the fact of the structural relationship and phylogenetic circumstances I mean it to reflect. The whole interest of Hemiargus is that it is allied to Lycaeides etc., while bearing a striking superficial resemblance to an African group with which it does not have the slightest structural affinity. Systematics, I think, should bring out such points and not keep them blurred in the haze of tradition. I am perfectly willing to demote the whole of my "subfamily" Plebejinae to a supergenus or genus Plebejus (Plebejus ceraunus, isola, ...
7. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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Часть текста: unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his medicine,   sigh — and think inwardly   when will the devil take you?” II   Thus a young scapegrace thought   as with post horses in the dust he flew,   by the most lofty will of Zeus   4  the heir of all his kin.   Friends of Lyudmila and Ruslan!   The hero of my novel,   without preambles, forthwith,   8  I'd like to have you meet:   Onegin, a good pal of mine,   was born upon the Neva's banks,   where maybe you were born, 12  or used to shine, my reader!   There formerly I too promenaded —   but harmful is the North to me. 1 III   Having served excellently, nobly,   his father lived by means of debts;   gave three balls yearly   4  and squandered everything at last.   Fate guarded Eugene:   at first, Madame looked after him;   later, Monsieur replaced her.   8  The child was boisterous but charming.   Monsieur l'Abbé, a poor wretch of a Frenchman,   not to wear out the infant,   taught him all things in play, 12  bothered him not with stern moralization,   scolded him slightly for his pranks,   and to the Letniy Sad took him for walks. IV   Then, when the season of ...
8. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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Часть текста: of Auckland, New Zealand. An unlikely plot, but the real story is no less exceptional: Brian Boyd, author of the prize-winning two-volume biography, Vladimir Nabokov: The Russian Years and Vladimir Nabokov: The American Years, and of Nabokov's Ada: The Place of Consciousness and the just-released Nabokov's Pale Fire: The Magic of Artistic Discovery, is a scholar who changed his mind. Writing in The New York Observer on Boyd's 'remarkable, obsessive, delirious, devotional study, Nabokov's Pale Fire,' Ron Rosenbaum called him 'an ornament of the accidents and possibilities of Nabokov scholarship' and praised him 'for having the courage and humility to retract an earlier conjecture and the imaginative daring' to (as Boyd himself might put it) re-re-reread Pale Fire. Nabokov's 1962 novel takes the form of an introduction by a scholar named Charles Kinbote; a lucid 999-line poem by an American poet named John Shade; and a commentary and index by Kinbote, whose attention veers continually from the poem to his own unsatisfactory life, from John Shade's homely metaphysics and painful autobiography to what must be his own entirely irrelevant fantasy—unless he really is Charles the Beloved, the deposed King of Zembla; and that unless unlocks only the first in a series of secret passages. From the dedication copy of Pale Fire, inscribed by Nabokov for his wife Vera....
9. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава I. Звуки и запахи
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Часть текста: [5], основные структурные мотивы «Машеньки»: поезда и трамваи, свет и тени [6]. Особого внимания заслуживают работы о методе креативной памяти у Набокова [7], структурных принципах организации текста [8], а также о свойстве «полигенетичности» набоковской прозы [9], проявившемся уже в его первом крупном произведении. В данной главе предлагается новое прочтение романа. 1 Произведение молодого Набокова, несмотря на кажущуюся бесхитростность и традиционность, обнаруживает черты поэтики его зрелой прозы. Текст «вырастает» из центральной метафоры, элементы которой разворачиваются в романе в самостоятельные тематические мотивы. Указанием на метафору служит прием литературной аллюзии, доведенный в более поздних произведениях Набокова до изысканной потаенности, но в «Машеньке» реализованный с уникальной авторской откровенностью — с прямым называнием адресата. Отсылка размещена в условной сердцевине текста, в точке высокого лирического напряжения, в момент символического обретения героем души (подробнее об этом мотиве — см. ниже), в сцене на подоконнике «мрачной дубовой уборной», когда 16-летний Ганин мечтает о Машеньке. «И эту минуту, когда он сидел… и тщетно ждал, чтобы в тополях защелкал фетовский соловей, — эту минуту Ганин теперь справедливо считал самой важной и возвышенной во всей его жизни» (с. 73). Стихотворение А. Фета «Соловей и роза» (1847) [10] не только проступает в тексте в форме скрытого цитирования, но становится метафорой-доминантой целого романа. Драматизм сюжета фетовского стихотворения обусловлен разной темпоральной причастностью лирических протагонистов: роза...
10. Lolita. Part Two. Chapters 17 - 21
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Часть текста: still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s glass lake. Farlow, with whom I had roamed those remote woods, was an admirable marksman, and with his. 38 actually managed to hit a hummingbird, though I must say not much of it could be retrieved for proofonly a little iridescent fluff. A burley ex-policeman called Krestovski, who in the twenties had shot and killed two escaped convicts, joined us and bagged a tiny woodpeckercompletely out of season, incidentally. Between those two sportsmen I of course was a novice and kept missing everything, though I did would a squirrel on a later occasion when I went out alone. “You like here,” I whispered to my light-weight compact little chum, and then toasted it with a dram of gin. 18 The reader must now forget Chestnuts and Colts, and accompany us further west. The following days were marked by a number of great ...