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Cлово "TALE"

Часть текста: text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov, while chronologically cataloguing literary dreams from the texts of I. S. Turgenev, proposed to classify them according to their...

2. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.

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Часть текста: were later recast as formal questions-and-answers. The interviewer was Nabokov's student at Cornell University in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned...

3. Lolita. Part One. Chapters 9 - 11

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Часть текста: on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr....

4. Роупер Р: Набоков в Америке. По дороге к «Лолите». Библиография

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Часть текста: no. 12 (May 1955). Alexander, Victoria N. “Nabokov, Teleology, and Insect Mimicry. ” Nabokov Studies 7 (2002-2003): 177-213. Alexandrov, Vladimir E. “Nabokov and Bely.” In Alexandrov. Garland Companion. Alexandrov, Vladimir E. Nabokov’s Otherworld. Princeton, N. J.: Princeton University Press, 1991. Alexandrov, Vladimir E., ed. The Garland Companion to Vladimir Nabokov. New York: Garland, 1995. Altschuler, Glenn, Kramnick, Isaac. “«Red Cornell»: Cornell in the Cold War, ” part 1. Cornell Alumni Magazine, July 2010. Amis, Martin. “Divine Levity: The Reputation of Vladimir Nabokov Is High and Growing Higher and There Is Much More Work Still to Come.” Times Literary Supplement, December 23 and 30, 2011, 3-5. Amis, Martin. “The Sublime and the Ridiculous: Nabokov’s Black Farces”. In Quennell. Vladimir Nabokov, His Life. Amis, Martin. Visiting Mrs. Nabokov and Other Excursions. New York: Vintage International, 1995. Appel, Alfred, Jr. “The Road to Lolita, or the Americanization of an Emigre.” Journal of Modern Literature 4 (1974): 3-31. Appel, Alfred, Jr. Nabokov’s Dark Cinema . New York: Oxford University Press, 1974. Appel, Alfred, Jr., ed. The Annotated Lolita. New York: McGraw-Hill, 1970. Appel, Alfred, Jr., Newman, Charles, eds. Nabokov: Criticism, Reminiscences, Translations, and Tributes. London: Weidenfeld and Nicolson, 1971. Bahr, Ehrhard. Weimar on the Pacific: German Exile Culture in Los Angeles and the Crisis of Modernism. Berkeley: University of California Press, 2007. Baker, Nicholson. U and I: A True Story. New York: Vintage, 1992. Banta, Martha. “Benjamin, Edgar, Humbert, and Jay. ” Yale Review 60 (Summer 1971): 532-49. Barabtarlo, Gennady. “Nabokov in the Wilson Archive.” Cycnos 10, no. 1 (1993): 27-32. Barth, Werner, M.D., Segal, Kinim, M.D. “Reactive Arthritis (Reiter’s Syndrome).”...

5. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)

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Часть текста: of Svyatoslav and grandson of Oleg Translated by Vladimir Nabokov Exordium Might it not become us, brothers, to begin in the diction of yore the stern tale of the campaign of Igor, Igor son of Svyatoslav? Let us, however, begin this song in keeping with the happenings of these times and not with the contriving of Boyan. For he, vatic Boyan if he wished to make a laud for one, ranged in thought [like the nightingale] over the tree; like the gray wolf across land; like the smoky eagle up to the clouds. For as he recalled, said he, the feuds of initial times, "He set ten falcons upon a flock of swans, and the one first overtaken, sang a song first"- to Yaroslav of yore, and to brave Mstislav who slew Rededya before the Kasog troops, and to fair Roman son of Svyatoslav. To be sure, brothers, Boyan did not [really] set ten falcons upon a flock of swans: his own vatic fingers he laid on the live strings, which then twanged out by themselves a paean to princes. So let us begin, brothers, this tale- from Vladimir of yore to nowadays Igor. who girded his mind with fortitude, and sharpened his heart with manliness; [thus] imbued with the spirit ...

6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two

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Часть текста: portraits of grandsires on the walls, 8 and stoves with varicolored tiles. All this today is obsolete, I really don't know why; and anyway it was a matter 12 of very little moment to my friend, since he yawned equally amidst modish and olden halls. III He settled in that chamber where the rural old-timer had for forty years or so squabbled with his housekeeper, 4 looked through the window, and squashed flies. It all was plain: a floor of oak, two cupboards, a table, a divan of down, and not an ink speck anywhere. Onegin 8 opened the cupboards; found in one a notebook of expenses and in the other a whole array of fruit liqueurs, pitchers of eau-de-pomme, 12 and the calendar for eighteen-eight: having a lot to do, the old man never looked into any other books. IV Alone midst his possessions, merely to while away the time, at first conceived the plan our Eugene 4 of instituting a new system. In his backwoods a solitary sage, the ancient corvée 's yoke by the light quitrent he replaced; 8 the muzhik blessed fate, while in his corner went into a huff, therein perceiving dreadful harm, his thrifty neighbor. 12 Another slyly smiled, and all concluded with one voice that he was a most dangerous eccentric. V At first they all would call on him, but since to the back porch habitually a Don stallion 4 for him was brought as soon as one made out along the highway the sound of their domestic runabouts — outraged by such behavior, 8 they all ceased to be friends with him. “Our neighbor is a boor; acts...

7. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава пятая

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Часть текста: за «как бы собирательный псевдоним», утверждая, что Сирин со злой иронией говорит о «кокетничающих, вычурных и бездарных стихах какого-то Годунова-Чердынцева» (Сегодня. 1937. № 274. 6 октября). Кроме того, в рецензии на «Приглашение на казнь» Пильский умудрился переврать заглавие романа, превратив его в «Покушение на казнь» (Сегодня. 1936. № 69. 9 марта). 5–3 … отзыв Христофора Мортуса… — См.: [1–136], [1–172], [2–80], [3–59], [3–61]. С точки зрения стиля и идей этот отзыв продолжает пародировать Адамовича, но лежащая в его основе параллель между утилитаризмом шестидесятников и современной религиозно-философской критикой направлена, кроме того, против З. Гиппиус. Заставив Мортуса признать, что «в каком-то последнем и непогрешимом смысле наши и их требования совпадают» (478), Набоков иллюстрирует мысль Ходасевича о близости эстетических взглядов Гиппиус к идеям Писарева и Чернышевского: «Ими была проникнута вся „передовая“ критика, с варварской наивностью отделявшая в искусстве форму от содержания. <… > Вот от этих-то эстетических воззрений, воспринятых в молодости, а потому с особой силой, Гиппиус и несвободна до сего дня. <… > ...

8. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight

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Часть текста: opened a banquet of young fancies, 12 sang childish gaieties, and glory of our ancientry, and the heart's tremulous dreams. II And with a smile the world received her; the first success provided us with wings; the aged Derzhavin noticed us — and blessed us 4 as he descended to the grave. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . III And I, setting myself for law only the arbitrary will of passions, sharing emotions with the crowd, 4 I led my frisky Muse into the hubbub of feasts and turbulent discussions — the terror of midnight patrols; and to them, in mad feasts, 8 she brought her gifts, and like a little bacchante frisked, over the bowl sang for the guests; and the young people of past days 12 would turbulently dangle after her; and I was proud 'mong friends of my volatile mistress. IV But I dropped out of their alliance — and fled afar... she followed me. How often the caressive Muse 4 for me would sweeten the mute way with the bewitchment of a secret tale! How often on...

9. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Ten. America

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Часть текста: and my hastily concocted disguise (Zemblan-born French scholar)--tweedy jacket with worn leather patches on the elbows, hand-carved pipe stuffed with lavender-scented tobacco--were apparently unsuccessful in completely masking the sheen of royalty I was accustomed to exuding. Yes, they found the jewels, but that is a tale for another time. I was met at the station by an envoy, if that's not too grand a word, from the university, whom I did not immediately recognize despite the rectangle of cardstock he held chest-high with my adopted moniker carefully lettered on it. He was so young I looked right past him, toward an elderly gentleman in a dark uniform who corresponded to the mental image of natty chauffeur I had formed during the crossing. When I accosted him with a question and a questioning expression, he shook his head and stared past me, as if I weren't there. I gathered from his stony rebuff that I was only one in a series of persons to have mistaken him for their driver. Looking around, I spotted the person I had previously missed, and marveled at my having missed not only my new name, prominently displayed, but at my having failed to notice and acknowledge such an attractive youth. The blond lock covering his forehead almost obscured his electric blue eyes. He wore a very long, very shaggy overcoat of sorts, unbuttoned, and a...

10. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Литература

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Часть текста: документ // Последние новости. 1933. № 4369. 9 марта. Адамович 1934a – Адамович Г. Сирин // Последние новости. 1934. № 4670. 4 января. Адамович 1934b – Адамович Г. «Современные записки», кн. 55-я. Часть литературная // Последние новости. 1934. № 4809. 24 мая. Адамович 1934c – Адамович Г. Святые мечты // Последние новости. 1934. № 4907. 30 августа. Адамович 1935 – Адамович Г. Несостоявшаяся прогулка // Современные записки. 1935. Кн. LXIX. С. 288–296. Адамович 1936 – Адамович Г. Сумерки Достоевского // Последние новости. 1936. № 5655. 17 сентября. Адамович 1938 – Адамович Г. «Современные записки», кн. 67. Часть литературная // Последние новости. 1938. № 6437. 10 ноября. Адамович 1996 – Адамович Г. Одиночество и свобода. М., 1996. Адамович 1998 – Адамович Г. Собрание сочинений. Литературные беседы: В 2 кн. / Вступ. ст., сост. и примеч. О. А. Коростелева. СПб., 1998. Адамович 1999 – Адамович Г. Собрание сочинений: Стихи, проза, переводы / Вступ. ст., сост. и примеч. О. А. Коростылева. СПб., 1999. Адамович...

Поиск по творчеству и критикеCлово "TALE"

Поиск по творчеству и критике
Cлово "TALE"