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    А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
    0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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    208IBID
    16IBIDEM
    26ICE
    46ICH
    23IDA
    120IDEA
    33IDEAL
    18IDENTITY
    19IDOL
    16IGNORANCE
    17IGNORE
    76IGOR
    31ILL
    18ILLINOIS
    46ILLUSION
    26ILLUSTRATED
    19ILLUSTRATION
    48ILS
    111IMAGE
    68IMAGINATION
    61IMAGINE
    23IMAGINED
    28IMITATION
    54IMMEDIATELY
    15IMMORTAL
    17IMMORTALITY
    15IMPLICATION
    28IMPORTANCE
    53IMPORTANT
    28IMPOSSIBLE
    41IMPRESSION
    26INC
    24INCEST
    16INCIDENT
    23INCLUDE
    69INDEED
    46INDEX
    24INDIAN
    24INDIANA
    39INDIVIDUAL
    32INFLUENCE
    16INFLUENCED
    42INFORMATION
    18INFORMED
    28INITIAL
    15INN
    29INNER
    43INNOCENT
    17INQUIRY
    14INSANE
    20INSECTS
    46INSIDE
    15INSIST
    16INSOMNIA
    16INSPECT
    55INSPIRATION
    19INSPIRED
    79INSTANCE
    23INSTANT
    60INSTEAD
    17INSTITUTE
    17INSTITUTION
    23INTELLECTUAL
    17INTELLIGENT
    14INTENDED
    15INTENSE
    55INTEREST
    40INTERESTED
    26INTERESTING
    75INTERNATIONAL
    28INTERPRETATION
    16INTERRUPTED
    471INTERVIEW
    62INTERVIEWS
    513INTO
    14INTONATION
    75INTRODUCTION
    15INTRODUCTORY
    20INVENT
    22INVENTED
    29INVENTION
    27INVISIBLE
    129INVITATION
    19INVOLVED
    25IRON
    17IRONY
    29ISLAND
    21ISN
    26ISSUE
    46IST
    20ITALIAN
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    26ITEM
    96ITHACA
    479ITS
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    1. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
    Входимость: 1. Размер: 17кб.
    Часть текста: me on my seventieth birthday by my German publisher Heinrich Maria Ledig-RowohIt. ON TIME AND ITS TEXTURE We can imagine all kinds of time, such as for example "applied time"-- time applied to events, which we measure by means of clocks and calendars; but those types of time are inevitably tainted by our notion of space, spatial succession, stretches and sections of space. When we speak of the "passage of time," we visualize an abstract river flowing through a generalized landscape. Applied time, measurable illusions of time, are useful for the purposes of historians or physicists, they do not interest me, and they did not interest my creature Van Veen in Part Four of my Ada. He and I in that book attempt to examine the essence of Time, not its lapse. Van mentions the possibility of being "an amateur of Time, an epicure of duration," of being able to delight sensually in the texture of time, "in its stuff and spread, in the fall of its folds, in the very impalpability of its grayish gauze, in the coolness of its continuum." He also is aware that "Time is a fluid medium for the culture of...
    2. Lolita. Part Two. Chapters 1 - 2
    Входимость: 1. Размер: 49кб.
    Часть текста: type of foursome this arrangement was even intended for, since only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of...
    3. Lolita. Part Two. Chapters 9 - 16
    Входимость: 1. Размер: 59кб.
    Часть текста: aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes, and garnet-red fingernail polish. I spoke French to her (much to Lo’s disgust). The child’s tonalities were still admirably pure, but for school words and play words she resorted to current American and then a slight Brooklyn accent would crop up in her speech, which was amusing in a little Parisian who went to a select New England school with phoney British aspirations. Unfortunately, despite “that French kid’s uncle” being “a millionaire,” Lo dropped Eva for some reason before I had had time to enjoy in my modest way her fragrant presence in the Humbert open house. The reader knows what importance I attached to having a bevy of page girls, consolation prize nymphets, around my Lolita. For a while, I endeavored to interest my senses in Mona Dahl who was a good deal around, especially during the spring term when Lo and she got so enthusiastic about dramatics. I have often wondered what secrets outrageously treacherous Dolores Haze had imparted to Mona while blurting out to me by urgent and well-paid request various really incredible details concerning an affair that Mona had had with a marine at the seaside. It was characteristic...