Поиск по творчеству и критике
Cлово "CALLED"


А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Поиск  
1. Lolita. Part Two. Chapters 22 - 26
Входимость: 8. Размер: 57кб.
2. Lolita. Part One. Chapters 18 - 22
Входимость: 7. Размер: 53кб.
3. Lolita. Part One. Chapters 9 - 11
Входимость: 7. Размер: 53кб.
4. Интервью Набокова на английском языке. Novel, 1970 г.
Входимость: 6. Размер: 30кб.
5. Lolita. Part One. Chapters 28 - 33
Входимость: 6. Размер: 42кб.
6. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 6. Размер: 20кб.
7. Lolita. Part Two. Chapters 17 - 21
Входимость: 4. Размер: 52кб.
8. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 4. Размер: 53кб.
9. Lolita. Part Two. Chapters 32 - 36
Входимость: 4. Размер: 58кб.
10. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 4. Размер: 63кб.
11. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 4. Размер: 29кб.
12. Lolita. Part Two. Chapters 1 - 2
Входимость: 4. Размер: 49кб.
13. Интервью Набокова на английском языке. BBC-2, 1969 г.
Входимость: 3. Размер: 22кб.
14. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 3. Размер: 21кб.
15. Lolita. Part Two. Chapters 27 - 31
Входимость: 3. Размер: 46кб.
16. Вне Лолиты: Вновь открывая Набокова. (Проект CNN, 1999 г.). The Writer
Входимость: 3. Размер: 8кб.
17. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 3. Размер: 39кб.
18. Lolita. Part One. Chapters 12 - 17
Входимость: 3. Размер: 43кб.
19. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 3. Размер: 59кб.
20. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
Входимость: 2. Размер: 71кб.
21. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
Входимость: 2. Размер: 16кб.
22. Articles about butterflies
Входимость: 2. Размер: 35кб.
23. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter two
Входимость: 2. Размер: 51кб.
24. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 2. Размер: 9кб.
25. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
Входимость: 2. Размер: 16кб.
26. L. C. Higcins and N. D. Riley
Входимость: 2. Размер: 9кб.
27. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
Входимость: 2. Размер: 55кб.
28. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 2. Размер: 72кб.
29. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 2. Размер: 24кб.
30. Lolita. Part One. Chapters 1 - 8
Входимость: 2. Размер: 53кб.
31. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 2. Размер: 20кб.
32. Lolita. Part Two. Chapters 3 - 8
Входимость: 2. Размер: 54кб.
33. Интервью Набокова на английском языке. The New York Times Book Review, 1968 г.
Входимость: 1. Размер: 15кб.
34. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter four
Входимость: 1. Размер: 54кб.
35. Смотри на арлекинов! Часть вторая
Входимость: 1. Размер: 1кб.
36. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 1. Размер: 36кб.
37. The Song of Igor's Campaign, Igor son of Svyatoslav and grandson of Oleg (перевод Набокова)
Входимость: 1. Размер: 34кб.
38. Блюмбаум Аркадий: Антиисторицизм как эстетическая позиция (К проблеме: Набоков и Бергсон)
Входимость: 1. Размер: 123кб.
39. Бледное пламя. Комментарии (страница 5)
Входимость: 1. Размер: 1кб.
40. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
Входимость: 1. Размер: 10кб.
41. Сакун С. В.: Гамбит Сирина (сборник статей). Шахматный секрет романа В. Набокова "Защита Лужина"
Входимость: 1. Размер: 108кб.
42. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
Входимость: 1. Размер: 11кб.
43. Интервью Набокова на английском языке. The New York Times, 1969 г.
Входимость: 1. Размер: 7кб.
44. Lolita. Part One. Chapters 23 - 27
Входимость: 1. Размер: 59кб.
45. Здесь говорят по-русски (перевод С. Сакуна)
Входимость: 1. Размер: 43кб.
46. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
Входимость: 1. Размер: 18кб.
47. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
Входимость: 1. Размер: 67кб.
48. Сакун С. В.: Гамбит Сирина (сборник статей). "Л. Кэрролл и Ф. Достоевский в романе "Защита Лужина". Тематическая традиция"
Входимость: 1. Размер: 109кб.
49. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
Входимость: 1. Размер: 53кб.
50. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
Входимость: 1. Размер: 11кб.

Примерный текст на первых найденных страницах

1. Lolita. Part Two. Chapters 22 - 26
Входимость: 8. Размер: 57кб.
Часть текста: first journey; oh, how different things were now! I am not referring to Trapp or Trapps. After allwell, really… After all, gentlemen, it was becoming abundantly clear that all those identical detectives in prismatically changing cars were figments of my persecution mania, recurrent images based on coincidence and chance resemblance. Soyons   logiques  , crowed the cocky Gallic part of my brainand proceeded to rout the notion of a Lolita-maddened salesman or comedy gangster, with stooges, persecuting me, and hoaxing me, and otherwise taking riotous advantage of my strange relations with the law. I remember humming my panic away. I remember evolving even an explanation of the “Birdsley” telephone call… But if I could dismiss Trapp, as I had dismissed my convulsions on the lawn at Champion, I could do nothing with the anguish of knowing Lolita to be so tantalizingly, so miserably unattainable and beloved on the very even of a new era, when my alembics told me she should stop being a nymphet, stop torturing me. An additional, abominable, and perfectly gratuitous worry was lovingly prepared for me in Elphinstone. Lo had been dull and silent during...
2. Lolita. Part One. Chapters 18 - 22
Входимость: 7. Размер: 53кб.
Часть текста: life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I could have answered that on that score my mind was open; I said, insteadpaying my tribute to a pious platitudethat I believed in a cosmic spirit. Looking down at her fingernails, she also asked me had I not in my family a certain strange strain. I countered by inquiring whether she would still want to marry me if my father’s maternal grandfather had been, say, a Turk. She said it did not matter a bit; but that, if she ever found out I did not believe in Our Christian God, she would commit suicide. She said it so solemnly that it gave me the creeps. It was then I knew she was a woman of principle. Oh, she was very genteel:...
3. Lolita. Part One. Chapters 9 - 11
Входимость: 7. Размер: 53кб.
Часть текста: I had nothing better to do. On the other hand, I was urged by a war-time university in New York to complete my comparative history of French literature for English-speaking students. The first volume took me a couple of years during which I put in seldom less than fifteen hours of work daily. As I look back on those days, I see them divided tidily into ample light and narrow shade: the light pertaining to the solace of research in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a...
4. Интервью Набокова на английском языке. Novel, 1970 г.
Входимость: 6. Размер: 30кб.
Часть текста: careful jottings, in the spring, 1971, issue of Novel, A Forum on Fiction, Brown University, Providence, Rhode Island. In the twelve years since the American publication of Lolita, you've published twenty-two or so books-- new American or Antiterran novels, old Russian works in English, Lolita in Russian-- giving one the impression that, as someone has said-- John Updike, I think-- your oeuvre is growing at both ends. Now that your first novel has appeared (Mashenka, 1926), it seems appropriate that, as we sail into the future, even earlier works should adhere to this elegant formula and make their quantum leap into English. Yes, my forthcoming Poems and Problems [McGraw-Hill] will offer several examples of the verse of my early youth, including "The Rain Has Flown," which was composed in the park of our country place, Vyra, in May 1917, the last spring my family was to live there. This "new" volume consists of three sections: a selection of thirty-six Russian poems, presented in the original and in translation; fourteen...
5. Lolita. Part One. Chapters 28 - 33
Входимость: 6. Размер: 42кб.
Часть текста: sleep. Jurors! If my happiness could have talked, it would have filled that genteel hotel with a deafening roar. And my only regret today is that I did not quietly deposit key “342” at the office, and leave the town, the country, the continent, the hemisphere,indeed, the globethat very same night. Let me explain. I was not unduly disturbed by her self-accusatory innuendoes. I was still firmly resolved to pursue my policy of sparing her purity by operating only in the stealth of night, only upon a completely anesthetized little nude. Restraint and reverence were still my motto-even if that “purity” (incidentally, thoroughly debunked by modern science) had been slightly damaged through some juvenile erotic experience, no doubt homosexual, at that accursed camp of hers. Of course, in my old-fashioned, old-world way, I, Jean-Jacques Humbert, had taken for granted, when I first met her, that she was as unravished as the stereotypical notion of “normal child” had been since the lamented end of the Ancient World B. C. and its fascinating practices. We are not surrounded in our enlighted era by little slave flowers that can be casually plucked between business and bath as they used to be in the days of the Romans; and we do not, as dignified Orientals did in still more luxurious times, use tiny entertainers fore and aft between the mutton and the rose sherbet. The whole point is that the old link between the adult world and the child world has been completely severed nowadays by ...
6. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 6. Размер: 20кб.
Часть текста: is occasionally confusion about the pronunciation of your last name. How does one pronounce it correctly? It is indeed a tricky name. It is often misspelt, because the eye tends to regard the "a" of the first syllable as a misprint and then tries to restore the symmetrical sequence by triplicating the "o"-- filling up the row of circles, so to speak, as in a game of crosses and naughts. No-bow-cough. How ugly, how wrong. Every author whose name is fairly often mentioned in periodicals develops a bird-watcher's or caterpillar-picker's knack when scanning an article. But in my case I always get caught by the word "nobody" when capitalized at the beginning of a sentence. As to pronunciation, Frenchmen of course say Nabokoff, with the accent on the last syllable. Englishmen say Nabokov, accent on the first, and Italians say Nabokov, accent in the middle, as Russians also do. Na- bo -kov. A heavy open "o" as in "Knickerbocker". My New England ear is not offended by the long elegant middle "o" of Nabokov as delivered in American academies. The awful "Na-bah-kov" is a despicable gutterism. Well, you can make your choice now. Incidentallv, the first name is pronounced Vladeemer-- rhyming...
7. Lolita. Part Two. Chapters 17 - 21
Входимость: 4. Размер: 52кб.
Часть текста: Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it two years before, in the pine forest around my and Charlotte’s glass lake. Farlow, with whom I had roamed those remote woods, was an admirable marksman, and with his. 38 actually managed to hit a hummingbird, though I must say not much of it could be retrieved for proofonly a little iridescent fluff. A burley ex-policeman called Krestovski, who in the twenties had shot and killed two escaped convicts, joined us and bagged a tiny...
8. Интервью Набокова на английском языке. Playboy, 1964 г.
Входимость: 4. Размер: 53кб.
Часть текста: This exchange with Alvin Toffler appeared in Playboy for January, 1964. Great trouble was taken on both sides to achieve the illusion of a spontaneous conversation. Actually, my contribution as printed conforms meticulously to the answers, every word of which I had written in longhand before having them typed for submission to Toffler when he came to Montreux in mid-March, 1963. The present text takes into account the order of my interviewer's questions as well as the fact that a couple of consecutive pages of my typescript were apparently lost in transit. Egreto perambis doribus! With the American publication of Lolita in 1958, your fame and fortune mushroomed almost overnight from high repute among the literary cognoscenti-- which you bad enjoyed for more than 30 years-- to both acclaim and abuse as the world-renowned author of a sensational bestseller. In the aftermath of this cause celebre, do you ever regret having written Lolita? On the contrary, I shudder retrospectively when I recall that there was a moment, in 1950, and again in 1951, when I was on the point of burning Humbert Humbert's little black diary. No, I shall never regret Lolita. She was like the composition of a beautiful puzzle-- its composition and its solution at the same time, since one is a mirror view of the other, depending on the way you look. Of course she...
9. Lolita. Part Two. Chapters 32 - 36
Входимость: 4. Размер: 58кб.
Часть текста: Two. Chapters 32 - 36 32 There was the day, during our first tripour first circle of paradisewhen in order to enjoy my phantasms in peace I firmly decided to ignore what I could not help perceiving, the fact that I was to her not a boy friend, not a glamour man, not a pal, not even a person at all, but just two eyes and a foot of engorged brawnto mention only mentionable matters. There was the day when having withdrawn the functional promise I had made her on the eve (whatever she had set her funny little heart ona roller rink with some special plastic floor or a movie matinee to which she wanted to go alone), I happened to glimpse from the bathroom, through a chance combination of mirror aslant and door ajar, a look on her face… that look I cannot exactly describe… an expression of helplessness so perfect that it seemed to grade into one of rather comfortable inanity just because this was the very limit of injustice and frustrationand every limit presupposes something beyond ithence the neutral illumination. And when you bear in mind that these were the raised eyebrows and parted lips of a child, you may better appreciate what depths of calculated carnality, what reflected despair, restrained me from falling at her dear feet and dissolving in human tears, and sacrificing my jealousy to whatever pleasure Lolita might hope to derive from mixing with dirty and dangerous children in an outside world that was real to her. And I have still other smothered memories, now unfolding themselves into limbless monsters of pain. Once, in a sunset-ending street of Beardsley, she turned to little Eva Rosen (I was taking both nymphets to a...
10. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 4. Размер: 63кб.
Часть текста: 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is...