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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 17. Размер: 63кб.
2. Lolita. Part Two. Chapters 17 - 21
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3. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 10. Размер: 21кб.
4. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 9. Размер: 59кб.
5. Lolita. Part Two. Chapters 3 - 8
Входимость: 8. Размер: 54кб.
6. Lolita. Part Two. Chapters 9 - 16
Входимость: 8. Размер: 59кб.
7. Lolita. Part One. Chapters 9 - 11
Входимость: 7. Размер: 53кб.
8. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 7. Размер: 39кб.
9. Lolita. Part One. Chapters 23 - 27
Входимость: 7. Размер: 59кб.
10. Lolita. Part One. Chapters 1 - 8
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11. Lolita. Part One. Chapters 12 - 17
Входимость: 6. Размер: 43кб.
12. Lolita. Part One. Chapters 18 - 22
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13. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
Входимость: 5. Размер: 67кб.
14. Lolita. Part Two. Chapters 32 - 36
Входимость: 5. Размер: 58кб.
15. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
Входимость: 5. Размер: 24кб.
16. Lolita. Part One. Chapters 28 - 33
Входимость: 5. Размер: 42кб.
17. Интервью Набокова на английском языке. BBC Television, 1962 г.
Входимость: 4. Размер: 20кб.
18. Интервью Набокова на английском языке. The Paris Review, 1967 г.
Входимость: 4. Размер: 29кб.
19. Интервью Набокова на английском языке. BBC-2, 1968 г.
Входимость: 4. Размер: 9кб.
20. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Seven. King, Queen, Knave
Входимость: 3. Размер: 18кб.
21. Интервью Набокова на английском языке. TV-13 NY, 1965 г.
Входимость: 3. Размер: 20кб.
22. Наринс Дж. В.: "Лолита", нарративная структура и предисловие Джона Рея
Входимость: 3. Размер: 42кб.
23. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
Входимость: 3. Размер: 36кб.
24. Articles about butterflies
Входимость: 3. Размер: 35кб.
25. Lolita. Part Two. Chapters 27 - 31
Входимость: 3. Размер: 46кб.
26. L. C. Higcins and N. D. Riley
Входимость: 3. Размер: 9кб.
27. Lolita. Part Two. Chapters 22 - 26
Входимость: 3. Размер: 57кб.
28. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
Входимость: 3. Размер: 72кб.
29. Интервью Набокова на английском языке. Novel, 1970 г.
Входимость: 3. Размер: 30кб.
30. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
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31. Inspiration
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32. Интервью Набокова на английском языке. Bayerischer Rundfunk, 1971-72 г.
Входимость: 2. Размер: 17кб.
33. Сакун С. В.: Гамбит Сирина (сборник статей). Шахматно-психологические проблемы романа В. Набокова "Защита Лужина"
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34. Sartre's first try (Review)
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35. Грейсон Джейн: Метаморфозы "Дара"
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36. Интервью Набокова на английском языке. Vogue, 1969 г.
Входимость: 2. Размер: 11кб.
37. Утгоф Г.М.: «Audiatur et altera pars» - к проблеме «Набоков и Лоуэлл»
Входимость: 2. Размер: 53кб.
38. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Nine. Zashchita Luzhina
Входимость: 2. Размер: 23кб.
39. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Notes to Eugene Onegin
Входимость: 2. Размер: 16кб.
40. Forget Lolita - let's hear it for lepidoptery...
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41. Anniversary notes
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42. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Six. This Hovering Honeyed Mist
Входимость: 2. Размер: 10кб.
43. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
Входимость: 2. Размер: 71кб.
44. Левинтон Г. А.: The Importance of Being Russian или Les allusions perdues
Входимость: 2. Размер: 106кб.
45. The wings of desire
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46. Интервью Набокова на английском языке. Anonymous, 1962 г.
Входимость: 2. Размер: 10кб.
47. Роупер Р: Набоков в Америке. По дороге к «Лолите». Глава 6
Входимость: 2. Размер: 42кб.
48. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
Входимость: 2. Размер: 11кб.
49. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
Входимость: 2. Размер: 61кб.
50. Сакун С. В.: К статье Эрика Наймана. Литландия - аллегорическая поэтика "Защиты Лужина"
Входимость: 1. Размер: 34кб.

Примерный текст на первых найденных страницах

1. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
Входимость: 17. Размер: 63кб.
Часть текста: in 1954, and the references are to Literature 311-312 (MWF, 12), a course on the Masterpieces of European Fiction (Jane Austen, Gogol, Dickens, Flaubert, Tolstoy, Stevenson, Kafka, Joyce, and Proust). Its enrollment had reached four hundred by the time of Nabokov's resignation in 1959. The footnotes to the interview, except where indicated, are provided by the interviewer, Alfred Appel, Jr. For years bibliographers and literary journalists didn't know whether to group you under "Russian" or "American. "Now that you're living in Switzerland there seems to be complete agreement that you're American. Do you find this kind of distinction at all important regarding your identity as a writer? I have always maintained, even as a schoolboy in Russia, that the nationality of a worthwhile writer is of secondary importance. The more distinctive an insect's aspect, the less apt the taxonomist is to glance first of all at the locality label under the pinned specimen in order to decide which of several vaguely described races it should be assigned to. The writer's art is his real passport. His identity should be immediately recognized by a special pattern or unique coloration. His habitat may confirm the correctness of the determination but...
2. Lolita. Part Two. Chapters 17 - 21
Входимость: 13. Размер: 52кб.
Часть текста: waking up at four in the morning, I ascertained that Lo was still sound asleep (mouth open, in a kind of dull amazement at the curiously inane life we all had rigged up for her) and satisfied myself that the precious contents of the “luizetta” were safe. There, snugly wrapped in a white woolen scarf, lay a pocket automatic: caliber. 32, capacity of magazine 8 cartridges, length a little under one ninth of Lolita’s length, stock checked walnut, finish full blued. I had inherited it from the late Harold Haze, with a 1938 catalog which cheerily said in part: “Particularly well adapted for use in the home and car as well as on the person.” There it lay, ready for instant service on the person or persons, loaded and fully cocked with the slide lock in safety position, thus precluding any accidental discharge. We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb. I was now glad I had it with meand even more glad that I had learned to use it...
3. Интервью Набокова на английском языке. Time, 1969 г.
Входимость: 10. Размер: 21кб.
Часть текста: of which I answered seven. Some of the lot were quoted in the May 23, 1969, issue-- the one with my face on the cover. There seem to be similarities in the rhythm and tone of Speak, Memory and Ada, and in the way you and Van retrieve the past in images. Do you both work along similar lines? The more gifted and talkative one's characters are, the greater the chances of their resembling the author in tone or tint of mind. It is a familiar embarrassment that I face with very faint qualms, particularly since I am not really aware of any special similarities-- just as one is not aware of sharing mannerisms with a detestable kinsman. I loathe Van Veen. The following two quotations seem closely related: "I confess I do not believe in time. I like to fold my magic carpet, after use, in such a way as to superimpose one part of the pattern upon another. " (Speak, Memory) and "pure time, perceptual time, tangible time, time free of content, context and running commentary-- this is my time and theme. All the rest is numerical symbol or some aspect of space. " (Ada). Will you give me a lift on your magic carpet to point out bow time is animated in the story of Van and Ada? In his study of time my creature distinguishes between text and texture, between...
4. Эссе о драматургии ("Playwriting", на английском языке)
Входимость: 9. Размер: 59кб.
Часть текста: The two lectures presented here have been selected to accompany Nabokov's plays because they embody, in concentrated form, many of his principal guidelines for writing, reading, and performing plays. The reader is urged to bear in mind, however, that, later in life, Father might have expressed certain thoughts differently. The lectures were partly in typescript and partly in manuscript, replete with Nabokov's corrections, additions, deletions, occasional slips of the pen, and references to previous and subsequent installments of the course. I have limited myself to what editing seemed necessary for the presentation of the lectures in essay form. If Nabokov had been alive, he might perhaps have performed more radical surgery. He might also have added that the gruesome throes of realistic suicide he finds unacceptable onstage (in "The Tragedy of Tragedy") are now everyday fare on kiddies' TV, while "adult" entertainment has long since outdone all the goriness of the Grand Guignol. He might have observed that the aberrations of theatrical method wherein the illusion of a barrier between stage and audience is shattered - a...
5. Lolita. Part Two. Chapters 3 - 8
Входимость: 8. Размер: 54кб.
Часть текста: a moment ago? It was, of all things, The Frigid Queen. Smiling a little sadly, I dubbed her My Frigid Princess. She did not see the wistful joke. Oh, d not scowl at me, reader, I do not intend to convey the impressin that I did not manage to be happy. Readeer must understand that in the possession and thralldom of a nymphet the enchanted traveler stands, as it were, beyond happiness.   For there is no other bliss on earth comparable to that of fondling a nymphet. It is hors   concours  , that bliss, it belongs to another class, another plane of sensitivity. Despite our tiffs, despite her nastiness, despite all the fuss and faces she made, and the vulgarity, and the danger, and the horrible hopelessness of it all, I still dwelled deep in my elected paradisea paradise whose skies were the color of hell-flamesbut still a paradise. The able psychiatrist who studies my caseand whom by now Dr. Humbert has plunged, I trust, into a state of leporine fascinationis no doubt anxious to have me take Lolita to the seaside and have me find there, at last, the “gratification” of a lifetime urge, and release from the “subconscious” obsession of an incomplete childhood romance with the initial little Miss Lee. Well, comrade, let me tell you that I did   look for a beach, though I also have to confess that by the time we reached its mirage of gray water, so many delights had already been granted me by my traveling companion that the search for a Kingdom by the Sea, a Sublimated Riviera, or whatnot, far from being the impulse of the subconscious, had become the rational pursuit of a purely theoretical thrill. The angels knew it, and arranged things accordingly. A visit to a plausible cove on the Atlantic side was completely messed up by foul weather. A thick damp sky, muddy waves, a sense of boundless but somehow matter-of-fact mistwhat could be further removed from the crisp charm, the sapphire occasion ...
6. Lolita. Part Two. Chapters 9 - 16
Входимость: 8. Размер: 59кб.
Часть текста: Part Two. Chapters 9 - 16 9 Her girlfriends, whom I looked forward to meet, proved on the whole disappointing. There was Opal Something, and Linda Hall, and Avis Chapman, and Eva Rosen, and Mona Dahl (save one, all these names are approximations, of course). Opal was a bashful, formless, bespectacled, bepimpled creature who doted on Dolly who bullied her. With Linda Hall the school tennis champion, Dolly played singles at least twice a week: I suspect Linda was a true nymphet, but for some unknown reason she did not comewas perhaps not allowed to cometo our house; so I recall her only as a flash of natural sunshine on an indoor court. Of the rest, none had any claims to nymphetry except Eva Rosen. Avis ws a plump lateral child with hairy legs, while Mona, though handsome in a coarse sensual way and only a year older than my aging mistress, had obviously long ceased to be a nymphet, if she ever had been one. Eva Rosen, a displaced little person from France, was on the other hand a good example of a not strikingly beautiful child revealing to the perspicacious amateur some of the basic elements of nymphet charm, such as a perfect pubescent figure and lingering eyes and high cheekbones. Her glossy copper hair had Lolita’s silkiness, and the features of her delicate milky-white face with pink lips and silverfish eyelashes were less foxy than those of her likesthe great clan of intra-racial redheads; nor did she sport their green uniform but wore, as I remember her, a lot of black or cherry darka very smart black pullover, for instance, and high-heeled black shoes,...
7. Lolita. Part One. Chapters 9 - 11
Входимость: 7. Размер: 53кб.
Часть текста: in palatial libraries, the shade to my excruciating desires and insomnias of which enough has been said. Knowing me by now, the reader can easily imagine how dusty and hot I got, trying to catch a glimpse of nymphets (alas, always remote) playing in Central Park, and how repulsed I was by the glitter of deodorized career girls that a gay dog in one of the offices kept unloading upon me. Let us skip all that. A dreadful breakdown sent me to a sanatorium for more than a year; I went back to my workonly to be hospitalized again. Robust outdoor life seemed to promise me some relief. One of my favorite doctors, a charming cynical chap with a little brown beard, had a brother, and this brother was about to lead an expedition into arctic Canada. I was attached to it as a “recorder of psychic reactions.” With two young botanists and an old carpenter I shared now and then (never very successfully) the favors of one of our nutritionists, a Dr. Anita Johnsonwho was soon flown back, I am glad to say. I had little notion of what object the expedition was pursuing. Judging by the number of meteorologists upon it, we may have been tracking to its lair (somewhere on Prince of Wales’ Island, I understand) the wandering and wobbly north magnetic pole. One group, jointly with the Canadians, established a weather station on Pierre Point in Melville Sound. Another group, equally misguided, collected plankton. A third studied tuberculosis in the tundra. Bert, a film photographeran...
8. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
Входимость: 7. Размер: 39кб.
Часть текста: Приложение Приложение The door as a communicative symbol in the dreams of literary characters The studies of dreams in fictional literature form a special area of the literary theory, which is called “literary hypnology” or “oineropoetics.” Scholars try to define the specifics of literary dreams and distinguish them from the reality of life. «Цели такого исследования состоят не в том, чтобы методами психологии анализировать литературный материал, но в том, чтобы методами филологии анализировать то психологическое явление, которое описано литературным материалом» (“The purposes of such studies are not to use the psychological methods for the literary analysis, but to use the literary methods in order to analyze the psychological phenomenon, which is described in the literary text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and...
9. Lolita. Part One. Chapters 23 - 27
Входимость: 7. Размер: 59кб.
Часть текста: laprobe had dropped in a heap), and stood there, shining in the sun, its doors open like wings, its front wheels deep in evergreen shrubbery. To the anatomical right of this car, on the trim turn of the lawn-slope, an old gentleman with a white mustache, well-dresseddouble-breasted gray suit, polka-dotted bow-tielay supine, his long legs together, like a death-size wax figure. I have to put the impact of an instantaneous vision into a sequence of words; their physical accumulation in the page impairs the actual flash, the sharp unity of impression: Rug-heap, car, old man-doll, Miss O.’s nurse running with a rustle, a half-empty tumbler in her hand, back to the screened porchwhere the propped-up, imprisoned, decrepit lady herself may be imagined screeching, but not loud enough to drown the rhythmical yaps of the Junk setter walking from group to groupfrom a bunch of neighbors already collected on the sidewalk, near the bit of checked stuff, and back to the car which he had finally run to earth, and then to another group on the lawn, consisting of Leslie, two policemen and a sturdy man with tortoise shell glasses. At this point, I should explain that the prompt appearance of the patrolmen, hardly more than a minute after the accident, was due to their having been ticketing the illegally parked cars in a cross lane two blocks down the grade; that the fellow with the glasses was Frederick Beale, Jr., driver of the Packard; that his 79-year-old father, whom the nurse had just watered on the green bank where he laya banked banker so to speakwas not in a dead faint, but was comfortably and methodically recovering from a mild heart attack or its possibility; and, finally, that the laprobe on the...
10. Lolita. Part One. Chapters 1 - 8
Входимость: 6. Размер: 53кб.
Часть текста: of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. 2 I was born in 1910, in Paris. My father was a gentle, easy-going person, a salad of racial genes: a Swiss citizen, of mixed French and Austrian descent, with a dash of the Danube in his veins. I am going to pass around in a minute some lovely, glossy-blue picture-postcards. He owned a luxurious hotel on the Riviera. His father and two grandfathers had sold wine, jewels and silk, respectively. At thirty he married an English girl, daughter of Jerome Dunn, the alpinist, and granddaughter of two Dorset parsons, experts in obscure subjectspaleopedology and Aeolian harps, respectively. My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. My mother’s elder sister, Sybil, whom a cousin of my father’s had married and then neglected, served in my immediate family as a kind of unpaid governess and housekeeper. Somebody told me later that she had been in love with my father, and that he had lightheartedly taken advantage of it one rainy day and forgotten it by the time the weather cleared. I was extremely fond of her, despite the rigiditythe fatal rigidityof some of her rules. Perhaps she wanted...