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А Б В Г Д Е Ж З И Й К Л М Н О П Р С Т У Ф Х Ц Ч Ш Щ Э Ю Я
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1. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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4. Articles about butterflies
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5. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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7. Lolita. Part Two. Chapters 1 - 2
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8. Интервью Набокова на английском языке. Vogue, 1969 г.
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9. Комментарий к роману "Евгений Онегин". Глава восьмая. Пункты XV - XXII
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10. Lolita. Part One. Chapters 18 - 22
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11. Inspiration
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12. Lolita. Part Two. Chapters 22 - 26
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13. Lolita. Part One. Chapters 23 - 27
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14. Nabokov's Butterflies: Unpublished and Uncollected Writings
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15. Lolita. Part Two. Chapters 9 - 16
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16. Маликова М.: "Первое стихотворение" В. Набокова. Перевод и комментарий
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17. Anniversary notes
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18. Набоков Дмитрий: Отцовские бабочки. Отцовские бабочки. Father's Butterflies (английский язык)
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19. Интервью Набокова на английском языке. BBC-2, 1969 г.
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20. Долинин Александр: Комментарий к роману Владимира Набокова «Дар». Глава пятая
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21. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter eight
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22. Интервью Набокова на английском языке. Anonymous, 1972 г.
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23. Букс Нора: Эшафот в хрустальном дворце. О русских романах Владимира Набокова. Глава I. Звуки и запахи
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24. Интервью Набокова на английском языке. Swiss Broadcast, 1972 ? г.
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25. Lolita. Part One. Chapters 28 - 33
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26. Комментарий к роману "Евгений Онегин". Глава третья. Пункты IX - XVIII
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27. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter five
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28. Набоков Дмитрий: Отцовские бабочки. Интервью данное Брайеном Бойдом журналу BOMB Magazine
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29. Комментарий к роману "Евгений Онегин". "Десятая глава"
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30. Lolita. Part One. Chapters 12 - 17
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31. Эссе о драматургии ("Playwriting", на английском языке)
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32. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter six
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33. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть V. Набоков — литературный космолог
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34. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Three. Mashen'ka
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35. Чарльз Кинбот: Серебристый свет. Подлинная жизнь Владимира Набокова. Chapter Eight. Dying Is No Fun
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36. Интервью Набокова на английском языке. Time, 1969 г.
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37. Комментарии к "Евгению Онегину" Александра Пушкина. Глава третья. Пункты XXXI - XLI
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38. Дымарский М.: Deus ex textо, или Вторичная дискурсивность набоковской модели нарратива
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39. Lolita. Part Two. Chapters 17 - 21
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40. Бартон Д.Д.: Миры и антимиры Владимира Набокова. Часть IV. Набоков — создатель лабиринтов
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41. Комментарии к "Евгению Онегину" Александра Пушкина. Глава третья. Пункты X - XX
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42. Lolita. Foreword
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43. Lolita. Part One. Chapters 9 - 11
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44. Комментарий к роману "Евгений Онегин". Глава третья. Пункты XXXI - XLI
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45. Lolita. Part Two. Chapters 3 - 8
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46. Интервью Набокова на английском языке. The Sunday Times, 1969 г.
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47. Джонсон Дональд Б.: Лабиринт инцеста в "Аде" Набокова
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48. Интервью Набокова на английском языке. Wisconsin Studies, 1967 г.
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49. Боги (перевод С. В. Сакуна)
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50. The female of lycaeides sublivens nab
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1. Савельева В.В.: Художественная гипнология и онейропоэтика русских писателей. Приложение
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Часть текста: text”) [20, с.9]. These studies are interdisciplinary, for they are situated on the boundaries of different academic fields, such as physiology, medicine, philosophy, psychology, literary and cultural studies, and semiotics. V.M.Kovalzon, The Doctor of Biology and a member of the International Association for the Study of Dreams, defines the process of sleeping as “...особое генетически детерминированное состояние организма человека и других теплокровных животных (т.е. млекопитающих и птиц), характеризующееся закономерной последовательной сменой определенных полиграфических картин в виде циклов, фаз и стадий» (“.a special, genetically determined state of the human body and the body of other warm-blooded animals (mammals and birds), which is characterized by the logical succession of certain multi-graphic pictures in the form of cycles, phases and stages” ) [6, с.311]. The process of sleeping is inevitably accompanied by the phases of dreams, which some scholars describe as the period of paradoxical sleeping. According to J.M. Lotman, a dream is «семиотическое зеркало, и каждый видит в нем отражение своего языка» (“.a semiotic mirror, and everyone beholds in it the reflection of his or her own language”) [9, с.124]. V. N. Toporov, while chronologically cataloguing ...
2. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter one
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Часть текста: A Novel in Verse by Aleksandr Pushkin Chapter one EUGENE ONEGIN A Novel in Verse by Aleksandr Pushkin Pétri de vanité il avait encore plus de cette espèce d'orgueil qui fait avouer avec la même indifférence les bonnes comme les mauvaises actions, suite d'un sentiment de supériorité, peut-être imaginaire. Tiré d'une lettre particulière   Not thinking to amuse the haughty world,   having grown fond of friendship's heed,   I wish I could present you with a gage   4  that would be worthier of you —   be worthier of a fine soul   full of a holy dream,   of live and limpid poetry,   8  of high thoughts and simplicity.   But so be it. With partial hand   take this collection of pied chapters:   half droll, half sad, 12  plain-folk, ideal,   the careless fruit of my amusements,   insomnias, light inspirations,   unripe and withered years, 16  the intellect's cold observations,   and the heart's sorrowful remarks. CHAPTER ONE To live it hurries and to feel it hastes. Prince Vyazemski I   “My uncle has most honest principles:   when he was taken gravely ill,   he forced one to respect him   4  and nothing better could invent.   To others his example is a lesson;   but, good God, what a bore to sit   by a sick person day and night, not stirring   8  a step away!   What base perfidiousness   to entertain one half-alive,   adjust for him his pillows, 12  sadly serve him his...
3. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter seven
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Часть текста: SEVEN Moscow! Russia's favorite daughter! Where is your equal to be found? Dmitriev How not to love one's native Moscow? Baratïnski “Reviling Moscow! This is what comes from seeing the world! Where is it better, then?” “Where we are not.” Griboedov I   Chased by the vernal beams,   down the surrounding hills the snows already   have run in turbid streams   4  onto the inundated fields.   With a serene smile, nature   greets through her sleep the morning of the year.   Bluing, the heavens shine.   8  The yet transparent woods   as if with down are greening.   The bee flies from her waxen cell   after the tribute of the field. 12  The dales grow dry and varicolored.   The herds are noisy, and the nightingale   has sung already in the hush of nights. II   How sad your apparition is to me,   spring, spring, season of love!   What a dark stir there is   4  in my soul, in my blood!   With what oppressive tenderness   I revel in the whiff   of spring fanning my face   8  in the lap of the rural stillness!   Or is enjoyment strange to me,   and all that gladdens, animates,   all that exults and gleams, 12  casts spleen and languishment   upon a soul long dead   and all looks dark to it? III   Or gladdened not by the return   of leaves that perished in the autumn,   a bitter loss we recollect,   4  harking to the new murmur of the woods;   or with reanimated nature we   compare in troubled thought   the withering of our years,   8  for which there is no renovation?   Perhaps there comes into our thoughts,   midst a poetical reverie,   some other ancient spring, 12  which sets our heart aquiver   with the dream of a distant clime,   a marvelous night, a moon.... IV ...
4. Articles about butterflies
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Часть текста: visit Telluride, San Miguel County, Colorado, in order to search for the unknown female of what I had described as Lycaeides argyrognomon sublivens in 1949 (Bull. Mus. Comp. Zool., vol. 101: p. 513) on the strength of nine males in the Museum of Comparative Zoology, Harvard, which had been taken in the vicinity of Telluride half a century ago. L. sublivens is an isolated southern representative (the only known one south of northwestern Wyoming, southeast of Idaho, and east of California) of the species (the holarctic argyrognomon Berg str.=idas auct.) to which anna Edw., scudderi Edw., aster Edw., and six other nearctic subspecies belong. I bungled my family's vacation but got what I wanted. Owing to rains and floods, especially noticeable in Kansas, most of the drive from New York State to Colorado was entomologically uneventful. When reached at last, Telluride turned out to be a damp, unfrequented, but very spectacular cul-de-sac (which a prodigious rainbow straddied every evening) at the end of two converging roads, one from Placerville, the other from Dolores, both atrocious. There is one motel, the optimistic and excellent Valley View Court where my wife and I stayed, at 9,000 feet altitude, from the 3rd to the 29th of July, walking up daily to at least 12,000 feet along various more or less steep trails in search of sublivens. Once or twice Mr. Homer Reid of Telluride took us up in his jeep. Every morning the sky would be of an impeccable blue at 6 a. m. when I set out. The first innocent cloudlet would scud across at 7: 30 a. m. Bigger fellows with darker bellies would start tampering with the sun around 9 a. m., just as we emerged from the shadow of the cliffs and trees onto good hunting grounds. Everything would be cold and gloomy half an...
5. Интервью Набокова на английском языке. The Paris Review, 1967 г.
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Часть текста: sense. He cares, I do not. I do not give a damn for public morals, in America or elsewhere. And, anyway, cases of men in their forties marrying girls in their teens or early twenties have no bearing on Lolita whatever. Humbert was fond of "little girls"-- not simply "young girls." Nymphets are girl-children, not starlets and "sex kittens." Lolita was twelve, not eighteen, when Humbert met her. You may remember that by the time she is fourteen, he refers to her as his "aging mistress." One critic has said about you that "his feelings are like no one else's. " Does this make sense to you? Or does it mean that you know your feelings better than others know theirs? Or that you have discovered yourself at other levels? Or simply that your history is unique? I do not recall that article; but if a critic makes such a statement, it must surely mean that he has explored the feelings of literally millions of people, in at least three countries, before reaching his conclusion. If so, lama rare fowl indeed. If, on the other hand, he has merely limited himself to quizzing members of his family or club, his statement cannot be...
6. Eugene Onegin. A Novel in Verse by Aleksandr Pushkin. Chapter three
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Часть текста: 12  a great solicitude for guests,   jam, never-ending talk   of rain, of flax, of cattle yard.” II   “So far I do not see what's bad about it.”   “Ah, but the boredom — that is bad, my friend.”   “Your fashionable world I hate;   4  dearer to me is the domestic circle   in which I can…” “Again an eclogue!   Ah, that will do, old boy, for goodness' sake.   Well, so you're off; I'm very sorry.   8  Oh, Lenski, listen — is there any way   for me to see this Phyllis,   subject of thoughts, and pen,   and tears, and rhymes, et cetera? 12  Present me.” “You are joking.” “No.”   “I'd gladly.” “When?” “Now, if you like.   They will be eager to receive us.” III   “Let's go.” And off the two friends drove;   they have arrived; on them are lavished   the sometimes onerous attentions   4  of hospitable ancientry.   The ritual of the treat is known:   in little dishes jams are brought,   on an oilcloth'd small table there is set   8  a jug of lingonberry water.   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . 12  . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . .   . . . . . . . . . . . . . . . . . . . . IV   They by the shortest road   fly home at full career. 17   Now let us eavesdrop furtively   4  upon our heroes' conversation.   “Well now, Onegin, you ...
7. Lolita. Part Two. Chapters 1 - 2
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Часть текста: To any other type of tourist accommodation I soon grew to prefer the Functional Motelclean, neat, safe nooks, ideal places for sleep, argument, reconciliation, insatiable illicit love. At first, in my dread of arousing suspicion, I would eagerly pay for both sections of one double unit, each containing a double bed. I wondered what type of foursome this arrangement was even intended for, since only a pharisaic parody of privacy could be attained by means of the incomplete partition dividing the cabin or room into two communicating love nests. By and by, the very possibilities that such honest promiscuity suggested (two young couples merrily swapping mates or a child shamming sleep to earwitness primal sonorities) made me bolder, and every now and then I would take a bed-and-cot or twin-bed cabin, a prison cell or paradise, with yellow window shades pulled down to create a morning illusion of Venice and sunshine when actually it was Pennsylvania and rain. We came to know nous connmes,   to use a Flaubertian intonationthe stone cottages under enormous Chateaubriandesque trees, the brick unit, the adobe unit, the stucco court, on what the Tour Book of the Automobile Association describes as “shaded” or “spacious” or “landscaped” grounds. The log kind, finished in knotty pine, reminded Lo, by its golden-brown glaze, of friend-chicken bones. We held in contempt the plain whitewashed clapboard Kabins, with their faint sewerish smell or some other gloomy self-conscious stench and nothing to boast of (except “good beds”), and an unsmiling landlady always prepared to have her gift (“…well, I could give you…”) turned down. Nous connmes   (this ...
8. Интервью Набокова на английском языке. Vogue, 1969 г.
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Часть текста: and as organic as a fata morgana. The sleight-of-hand you mention is hardly more than an insect's sleight-of-wing. A wit might say that it protects me from half-wits. A grateful spectator is content to applaud the grace with which the masked performer melts into Nature's background. In your autobiography. Speak, Memory, you describe a series of concurrent, insignificant events around the world "forming an instantaneous and transparent organism of events, " of which the poet (sitting in a lawn chair at lthaca. New York) is the nucleus. How does this open out on your larger belief in the precedence of the imagination over the mind? The simultaneousness of these random events, and indeed the fact of their occurring at all as described by the central percipient, would only then conform to "reality" if he had at his disposal the apparatus to reproduce those events optically within the frame of one screen; but the central figure in the passage you quote is not equipped with any kind of video attached to his lawn chair and must therefore rely on the power of pure imagination. Incidentally, I tend more and more to regard the objective existence of all events as a form of impure imagination-- hence my inverted commas around "reality." Whatever the mind grasps, it does so with the assistance of creative fancy, that drop of water on a glass slide which gives distinctness and relief to the observed organism. 1969 marks the fiftieth anniversary of your first publication. What do that first book and your latest, Ada, have in common? What of your intention and technique has changed, what has remained? My first publication, a collection of love poems, appeared not fifty, but fifty-three years ago. Several copies of it still lurk in my native country. The versification is fair, the lack of originality complete. Ten years later, in 1926, my first...
9. Комментарий к роману "Евгений Онегин". Глава восьмая. Пункты XV - XXII
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Часть текста: улыбались ей; Мужчины кланялися ниже, 4 Ловили взор ее очей; Девицы проходили тише Пред ней по зале; и всех выше И нос и плечи подымал 8 Вошедший с нею генерал. Никто б не мог ее прекрасной Назвать; но с головы до ног Никто бы в ней найти не мог 12 Того, что модой самовластной В высоком лондонском кругу Зовется vulgar. (Не могу… 4 …взор ее очей…  — Фр. le regard de ses yeux. 7 Ср.: Вяземский, стихотворение (1815), написанное четырехстопником и посвященное Денису Давыдову (стихи 20–23): …генеральских эполетов ……………………………………… От коих часто поневоле Вздымаются плеча других… {189} 12 Беловая рукопись содержит гораздо более удачный эпитет, чем «самовластной», а именно — «тихогласной». 14 …vulgar — Русскому прилагательному «вульгарный» вскоре было суждено стать общеупотребительным. В более широком смысле, «грубый» и «низменный», этот термин тождествен понятию «площадной» (от «городской площади», «рынка»), которое встречается и в других местах ЕО (гл. 4, XIX, 8 и гл. 5, XXIII, 8). Ср.: мадам де Сталь, «О литературе» (см. коммент. к гл. 3, XX, 14), ч. 1, гл. 19 (изд. 1818), т. II, с. 50: «…ce mot la vulgarité n'avoit pas encore été employé [au siècle de Louis XIV]; mais je le crois bon et nécessaire» [828] . См. также коммент. к гл. 8, XIV, 13. 14—XVI, 6 Заключенный в скобки пассаж, начиная со слов «Не могу», завершающих строфу XV,...
10. Lolita. Part One. Chapters 18 - 22
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Часть текста: then, my reader, the wedding is generally a “quiet” affair. The bride may dispense with a tiara of orange blossoms securing her finger-tip veil, nor does she carry a white orchid in a prayer book. The bride’s little daughter might have added to the ceremonies uniting H. and H. a touch of vivid vermeil; but I knew I would not dare be too tender with cornered Lolita yet, and therefore agreed it was not worth while tearing the child away from her beloved Camp Q. My soi-disant   passionate and lonely Charlotte was in everyday life matter-of-fact and gregarious. Moreover, I discovered that although she could not control her heart or her cries, she was a woman of principle. Immediately after she had become more or less my mistress (despite the stimulants, her “nervous, eager chri  a heroic chri   !  had some initial trouble, for which, however, he amply compensated her by a fantastic display of old-world endearments), good Charlotte interviewed me about my relations with God. I...